Burgoyne Diller: The 1930s : cubism to abstraction

What was Cubism? How did this strange new way of making paintings and sculptures enable artists so decisively to change the trajectory of ‘Modern Art’? In responding to these quest...

A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms. In this theoretic...

Abstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. How does it make or destroy meaning in the process? Does it proclaim the failure of fi...

According to Frege and many of his followers, there is no “metaphysical distance” between the two sides of an acceptable abstraction principle. How should this attractive idea be u...

Any abstractionist approach to thin objects faces the threat of paradox, as illustrated by Frege’s inconsistent Basic Law V. The neo-Fregeans Hale and Wright respond by severely re...