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Sovereignty in Alexis Wright’s Carpentaria (2006)
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In a 2013 interview, Alexis Wright explained the importance for Indigenous Australians of maintaining what she called a “sovereignty of the mind, even if we haven’t got sovereignty of the country or the land.” She went on to recount the story of an Indigenous leader who advised a meeting of Aboriginal people “if you think you are a sovereign people, act like it.” In her 2006 novel Carpentaria, Wright demonstrates how these two strands of Indigenous sovereignty are evident and practiced in contemporary Australia. Key Indigenous characters in the novel are revealed to both “think” sovereign and to “act like it.” Indigenous sovereignty, which has never been ceded but is still denied by Australian law, is performed on the land, in custom, in story and in song, in a multitude of ways. Wright thereby contributes to an assertion of sovereign, Indigenous epistemologies and ontologies in Australia. Significantly, cultural elders in Carpentaria are shown to take for granted their sovereign custodianship of Country regardless of who technically owns land within the colonised nation-space of the novel, thus revealing the rule of Aboriginal Law in Indigenous Australia over and against the assumed sovereign rule of the nation-state.
Title: Sovereignty in Alexis Wright’s Carpentaria (2006)
Description:
In a 2013 interview, Alexis Wright explained the importance for Indigenous Australians of maintaining what she called a “sovereignty of the mind, even if we haven’t got sovereignty of the country or the land.
” She went on to recount the story of an Indigenous leader who advised a meeting of Aboriginal people “if you think you are a sovereign people, act like it.
” In her 2006 novel Carpentaria, Wright demonstrates how these two strands of Indigenous sovereignty are evident and practiced in contemporary Australia.
Key Indigenous characters in the novel are revealed to both “think” sovereign and to “act like it.
” Indigenous sovereignty, which has never been ceded but is still denied by Australian law, is performed on the land, in custom, in story and in song, in a multitude of ways.
Wright thereby contributes to an assertion of sovereign, Indigenous epistemologies and ontologies in Australia.
Significantly, cultural elders in Carpentaria are shown to take for granted their sovereign custodianship of Country regardless of who technically owns land within the colonised nation-space of the novel, thus revealing the rule of Aboriginal Law in Indigenous Australia over and against the assumed sovereign rule of the nation-state.
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