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CONTEMPORARY EFFECTS ON MADHUBANI FOLK PAINTING

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Today, artists are doing new experiments in Madhubani folk painting, these experiments are natural as well with changing times. This change is the eternal truth of nature. We believe that art is the same. Which change with changing time, but do not let it lose its original form. With this spirit, Madhubani folk painting is being done in the main areas of Madhubani painting even today in Jitwarpur, Darbhanga, Purnia and surrounding areas. And it has been done before also.Today, if we study the folk painting of both decades (past and present) and the work style of their artists, then we get that the style of art has changed to some extent but the sentiment towards Madhubani folk painting is the same. Even today some women are working on natural things in rural areas. The same contemporary artist is busy with his work style with contemporary themes. Where previously the subjects of Madhubani folk paintings have been mainly related to the Gods and Goddesses. Madhubani folk painting was first used by women to decorate the walls and courtyards of their homes. The women here incorporate historical, religious and spiritual subjects into their art with their imagination. Religious folk life has been the main theme of Madhubani Lak paintings. Jilwarpur, a small village in Madhubani region has been the center of this art. आज मधुबनी लोक चित्रकला में कलाकार नित नये प्रयोग कर रहे हैं यह प्रयोग बदलते समय के साथ-साथ स्वाभाविक भी हैं। यह परिवर्तन प्रकृति का शाश्वत् सत्य है। हमारा मानना भी यही है कि कला वही है। जो बदलते समय के साथ परिवर्तित होती रहे, लेकिन अपने मूल स्वरूप को खोने न दे। इसी भावना के साथ आज भी मधुबनी चित्रकला के प्रमुख क्षेत्र जितवारपुर, दरभंगा, पूर्णिया व आस-पास के क्षेत्रों में मधुबनी लोक चित्रकला का अंकन किया जा रहा है। और पहले भी किया जाता रहा है।अगर आज हम दोनों दशकों (पूर्व व वर्तमान) की लोक चित्रकला व उनके कलाकारों की कार्य शैली का गहन अध्ययन करें तो हमें प्राप्त होता है कि लेाक कला शैली कुछ हद तक परिवर्तित हुयी है लेकिन मधुबनी लोक चित्रकला के प्रति भावनात्मकता वही है। ग्रामीण अंचलों में आज भी कुछ महिलाएँ प्राकृतिक चीजों को लेकर कार्य कर रही हैं। वही समकालीन कलाकार समकालीन विषयों को लेकर अपनी कार्य शैली में व्यस्त है। जहाँ पहले मधुबनी लोक चित्रों के विषय मुख्य रूप से देवी-देवता व प्रकृति से सम्बन्धित रहे हैं। मधुबनी लोक चित्रकला का प्रयोग पहले महिलाएँ अपने घरों की दीवारों व आँगनों को सजाने के लिये करती थी। यहाँ की महिलाएँ अपनी कल्पना से ऐतिहासिक, धार्मिक व आध्यात्मिक विषयों को अपनी कला में समाहित करती है। धार्मिक लोक जीवन मधुबनी लेाक चित्रों के मुख्य विषय-वस्तु रहे हैं। मधुबनी क्षेत्र का छोटा सा गाँव जिलवारपुर इस कला का केन्द्र रहा है।
Title: CONTEMPORARY EFFECTS ON MADHUBANI FOLK PAINTING
Description:
Today, artists are doing new experiments in Madhubani folk painting, these experiments are natural as well with changing times.
This change is the eternal truth of nature.
We believe that art is the same.
Which change with changing time, but do not let it lose its original form.
With this spirit, Madhubani folk painting is being done in the main areas of Madhubani painting even today in Jitwarpur, Darbhanga, Purnia and surrounding areas.
And it has been done before also.
Today, if we study the folk painting of both decades (past and present) and the work style of their artists, then we get that the style of art has changed to some extent but the sentiment towards Madhubani folk painting is the same.
Even today some women are working on natural things in rural areas.
The same contemporary artist is busy with his work style with contemporary themes.
Where previously the subjects of Madhubani folk paintings have been mainly related to the Gods and Goddesses.
Madhubani folk painting was first used by women to decorate the walls and courtyards of their homes.
The women here incorporate historical, religious and spiritual subjects into their art with their imagination.
Religious folk life has been the main theme of Madhubani Lak paintings.
Jilwarpur, a small village in Madhubani region has been the center of this art.
आज मधुबनी लोक चित्रकला में कलाकार नित नये प्रयोग कर रहे हैं यह प्रयोग बदलते समय के साथ-साथ स्वाभाविक भी हैं। यह परिवर्तन प्रकृति का शाश्वत् सत्य है। हमारा मानना भी यही है कि कला वही है। जो बदलते समय के साथ परिवर्तित होती रहे, लेकिन अपने मूल स्वरूप को खोने न दे। इसी भावना के साथ आज भी मधुबनी चित्रकला के प्रमुख क्षेत्र जितवारपुर, दरभंगा, पूर्णिया व आस-पास के क्षेत्रों में मधुबनी लोक चित्रकला का अंकन किया जा रहा है। और पहले भी किया जाता रहा है।अगर आज हम दोनों दशकों (पूर्व व वर्तमान) की लोक चित्रकला व उनके कलाकारों की कार्य शैली का गहन अध्ययन करें तो हमें प्राप्त होता है कि लेाक कला शैली कुछ हद तक परिवर्तित हुयी है लेकिन मधुबनी लोक चित्रकला के प्रति भावनात्मकता वही है। ग्रामीण अंचलों में आज भी कुछ महिलाएँ प्राकृतिक चीजों को लेकर कार्य कर रही हैं। वही समकालीन कलाकार समकालीन विषयों को लेकर अपनी कार्य शैली में व्यस्त है। जहाँ पहले मधुबनी लोक चित्रों के विषय मुख्य रूप से देवी-देवता व प्रकृति से सम्बन्धित रहे हैं। मधुबनी लोक चित्रकला का प्रयोग पहले महिलाएँ अपने घरों की दीवारों व आँगनों को सजाने के लिये करती थी। यहाँ की महिलाएँ अपनी कल्पना से ऐतिहासिक, धार्मिक व आध्यात्मिक विषयों को अपनी कला में समाहित करती है। धार्मिक लोक जीवन मधुबनी लेाक चित्रों के मुख्य विषय-वस्तु रहे हैं। मधुबनी क्षेत्र का छोटा सा गाँव जिलवारपुर इस कला का केन्द्र रहा है।.

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