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Ji: Traces in Chinese Landscape and Landscape Painting
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En Chine, les traces visibles de l'antiquité suscitent depuis longtemps un grand intérêt, donnant naissance à des pratiques culturelles très diverses. On peut en distinguer quatre types : les « traces divines » qui étaient censées manifester, de manière souvent assez ambiguë, l'activité des puissances surnaturelles ; les « traces historiques » que relevait l'étude des antiquaires érudits ; les « traces subsistantes » auxquelles s'attachaient des mémoires et des attitudes politiques ; et les « sites historiques célèbres » où se rencontraient la culture des élites et la culture populaire. Comme le montrent les exemples de chaque type présentés dans cet article, les sentiments nostalgiques que stimulait la méditation ou la lamentation sur l'antiquité (huaigu) sont un élément fondamental à la production artistique et littéraire dans la culture traditionnelle chinoise.
Title: Ji: Traces in Chinese Landscape and Landscape Painting
Description:
En Chine, les traces visibles de l'antiquité suscitent depuis longtemps un grand intérêt, donnant naissance à des pratiques culturelles très diverses.
On peut en distinguer quatre types : les « traces divines » qui étaient censées manifester, de manière souvent assez ambiguë, l'activité des puissances surnaturelles ; les « traces historiques » que relevait l'étude des antiquaires érudits ; les « traces subsistantes » auxquelles s'attachaient des mémoires et des attitudes politiques ; et les « sites historiques célèbres » où se rencontraient la culture des élites et la culture populaire.
Comme le montrent les exemples de chaque type présentés dans cet article, les sentiments nostalgiques que stimulait la méditation ou la lamentation sur l'antiquité (huaigu) sont un élément fondamental à la production artistique et littéraire dans la culture traditionnelle chinoise.
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