Painting, Landscape

Painted in England during the artist’s first stay there 1768-1780. It is likely to have been acquired in the last year of the 1770s. The painting shows tangible similarities with the existing (NM 1543) in Nationalmuseum (Stockholm). In addition to the similar anticizing architecture, these paintings have a common greyish tint of colour and reminiscent of mirroring water surfaces. In addition, both of these paintings have a common provenance for the collection of Jean Bolinder (1813 - 1899) and they were sold on the same occasion in 1899. All in all, these similarities point to the fact that the paintings have reached the same time and are likely to be linked from the outset as a couple until the sale in 1899 The fact that the paintings have almost identical dimensions substantiates this thesis. Possibly the paintings were purchased in England during Bolinder’s stay there in the 1840s. - “- Painted in England during the artist” s first visit there 1768-1780, “under the” av 1770s. There are similarities between this and the “Landscape with Temple Ruins” in Nationalmuseum, Stockholm (NM 1543). In addition to the antique-style, the two paintings share the greyish tone of reflectance of water. What is more, they have a common provenance from the collection of Jean Bolinder (1813-1899), and they What on the What in 1899. The roofs, these similarities that the paintings satisfaction at the point in time and at first Takhung as a pair, Takthey eventually Takin 1899. Their virtually identical Theborate this thesis. Possibilities they must be employed in England Bolinder was there 1840s.