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Bohemian Rhapsody
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This chapter examines McGahern’s interest in, and sometimes reverence for, Patrick Kavanagh’s poetry. It shows how the two writers briefly overlapped in the Dublin literary pub scene of the late 1950s and early 1960s and how this scene was not to McGahern’s taste. That bohemianism was transferred to London via the literary journal X and its editors Patrick Swift and David Wright from 1959-61 – a quarterly that was the first to publish McGahern. It then goes on to show how poems like ‘The Great Hunger’, ‘Kerr’s Ass’ and ‘Innocence’ are used by McGahern as touchstones in writing books such as The Dark and Memoir.
Title: Bohemian Rhapsody
Description:
This chapter examines McGahern’s interest in, and sometimes reverence for, Patrick Kavanagh’s poetry.
It shows how the two writers briefly overlapped in the Dublin literary pub scene of the late 1950s and early 1960s and how this scene was not to McGahern’s taste.
That bohemianism was transferred to London via the literary journal X and its editors Patrick Swift and David Wright from 1959-61 – a quarterly that was the first to publish McGahern.
It then goes on to show how poems like ‘The Great Hunger’, ‘Kerr’s Ass’ and ‘Innocence’ are used by McGahern as touchstones in writing books such as The Dark and Memoir.
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