Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Correspondence of Wagner and Liszt

View through CrossRef
Francis Hueffer (1845–89) was born and studied music in Germany, but moved to London in 1869 to pursue a career as a critic and writer on music. He edited the series 'The Great Musicians' for Novello and Co., was music critic of The Times, wrote libretti for some now-forgotten operas, and was an early advocate and interpreter to the British of Wagner. As well as writing Wagner in his own 'Great Musicians' series (1881), and Richard Wagner and the Music of the Future (1874), he translated the correspondence of Wagner and Liszt. This fascinating two-volume selection, published in 1888, covers the period 1841–61. Hueffer signals in his preface the importance to Wagner of the encouragement of Liszt – an established performer when Wagner was barely known and widely ridiculed, a musical mentor, an enthusiastic critic and eventually a father-in-law.
Cambridge University Press
Title: Correspondence of Wagner and Liszt
Description:
Francis Hueffer (1845–89) was born and studied music in Germany, but moved to London in 1869 to pursue a career as a critic and writer on music.
He edited the series 'The Great Musicians' for Novello and Co.
, was music critic of The Times, wrote libretti for some now-forgotten operas, and was an early advocate and interpreter to the British of Wagner.
As well as writing Wagner in his own 'Great Musicians' series (1881), and Richard Wagner and the Music of the Future (1874), he translated the correspondence of Wagner and Liszt.
This fascinating two-volume selection, published in 1888, covers the period 1841–61.
Hueffer signals in his preface the importance to Wagner of the encouragement of Liszt – an established performer when Wagner was barely known and widely ridiculed, a musical mentor, an enthusiastic critic and eventually a father-in-law.

Related Results

Richard Wagner and the Art of the Avant-Garde, 1860-1910
Richard Wagner and the Art of the Avant-Garde, 1860-1910
This book explores the responses of leading European avant-garde painters to the operas of Richard Wagner, the most influential composer of the late nineteenth century. The term av...
Philosophies of Richard Wagner
Philosophies of Richard Wagner
In addition to being a great composer, Richard Wagner was also an important philosopher. Julian Young begins by examining the philosophy of art and society Wagner constructs during...
Richard to Minna Wagner
Richard to Minna Wagner
The German actress Minna Planer (1809–66) was Wagner's first wife. Though it lasted until her death, their marriage, never an easy one, was punctuated by long periods of separation...
Letters of Richard Wagner to Emil Heckel
Letters of Richard Wagner to Emil Heckel
A great admirer of Richard Wagner, the music publisher Emil Heckel (1831–1908) founded the first Wagner Society in Mannheim in 1871. His purpose was to inspire others to help raise...
Music, Art and Performance from Liszt to Riot Grrrl
Music, Art and Performance from Liszt to Riot Grrrl
A 2019 Choice Outstanding Academic Title Opening with an account of print portraiture facilitating Franz Liszt’s celebrity status and concluding with Riot Grrrl’s...
Aubrey Beardsley and British Wagnerism in the 1890s
Aubrey Beardsley and British Wagnerism in the 1890s
Abstract Aubrey Beardsley and British Wagnerism in the 1890s is an interdisciplinary study of the influence of the operas, writing, and personality of Richard Wag...
Searching for Wagner in Japan
Searching for Wagner in Japan
Abstract In the late nineteenth and early twentieth centuries, Richard Wagner’s music and prose captivated audiences worldwide, including in Japan. Brooke McCorkl...
The Correspondence of Isaac Newton
The Correspondence of Isaac Newton
As Newton had by now entered his eighth decade, it can be no surprise that the correspondence in this sixth volume shows a marked decline in his activity and intellectual vigour. W...

Back to Top