Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Picturing carnal temptation and sin in Italian post-Tridentine imagery

Title: Picturing carnal temptation and sin in Italian post-Tridentine imagery
Description:
Minna Hamrin.

Related Results

T&T Clark Companion to the Doctrine of Sin
T&T Clark Companion to the Doctrine of Sin
The T&T Clark Companion to the Doctrine of Sin provides a comprehensive treatment of the doctrine of sin. The Companion includes an examination of the biblical and rabbinic acc...
Original Sin
Original Sin
This chapter discusses Hilary’s doctrine of original sin (literally ‘sins of our origin’, peccata originis). This denotes a category of sin different from our individual personal s...
Serving Ethnicity
Serving Ethnicity
This chapter examines how Italian restaurateurs used food to represent Italian American identity and nation outside the community. In the interwar years, the position of Italian Am...
Picturing German Antiquity in the Age of Print
Picturing German Antiquity in the Age of Print
Picturing German Antiquity in the Age of Print: Art, Archaeology, and the Style All’antica in Early Modern Augsburg examines the central role of print to local antiquarian pursuits...
The Pictorial Art of El Greco
The Pictorial Art of El Greco
The Pictorial Art of El Greco: Transmaterialities, Temporalities, and Media investigates El Greco’s pictorial art as foundational to the globalising trends manifested in the visual...
Picturing the Human
Picturing the Human
Abstract Iris Murdoch has long been known as one of the most deeply insightful and morally passionate novelists of our time. This attention has often eclipsed Murdoc...
Text and Image
Text and Image
This chapter explores combinations of text and imagery in histories produced in England between 1066 and 1272. It focuses on case studies of the Worcester chronicle, and the works ...
Ut Pictura Poesis? The Poetics of Verbal Imagery
Ut Pictura Poesis? The Poetics of Verbal Imagery
How can verbal-cued poetry be “visual,” “pictorial,” and “vivid”? This chapter aims at looking behind such notions by isolating the basic semiotic mechanisms of vision, picture-vie...

Back to Top