Javascript must be enabled to continue!
A text-book of the history of painting
View through Open Library
Van Dyke, John Charles, 1856-1932
Related Results
Nationalism: Past as Prologue
Nationalism: Past as Prologue
Nationalism: Past as Prologue began as a single volume being compiled by Ad Akande, a scholar from South Africa, who proposed it to me as co-author about two years ago. The origina...
Aesthetics of Qiyun and Genius
Aesthetics of Qiyun and Genius
In The Aesthetics of Qiyun and Genius: Spirit Consonance in Chinese Landscape Painting and Some Kantian Echoes, Xiaoyan Hu provides an interpretation of the notion of qiyun, or spi...
The Book of Numbers
The Book of Numbers
The Book of Numbers tells a story with two main characters—God and Israel. The way the story is told sounds odd and often harsh to readers today. The main point of the book is neve...
The Book of Numbers
The Book of Numbers
The book of Numbers tells a story with two main characters–God and Israel. The way the story is told sounds odd and often harsh to readers today. The main point of the book is neve...
Co-texts and Contexts in the Book of Jonah
Co-texts and Contexts in the Book of Jonah
Marian Kelsey argues that the book of Jonah weaves together many narratives with shared themes into a phenomenon of ‘interlocking allusion’.While describing the adventures of its p...
Thefts of the Mona Lisa
Thefts of the Mona Lisa
"Historian Charney tracks the eventful life of the Mona Lisa in this rollicking account.... The result is both a thrilling tale of true crime and a rigorous work of art history." —...
Developing Game Sense in Physical Education and Sport
Developing Game Sense in Physical Education and Sport
Authors Ray Breed and Michael Spittle, long recognized as experts in the game sense model and teaching games for understanding approach, have created a complete resource for physic...
The Concept of History
The Concept of History
The Concept of History reflects on the presuppositions behind the contemporary understanding of history that often remain implicit and not spelled out. It is a critique of the mode...


