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Music as a transforming agent in the individual’s life
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This work is about music as a transforming agent in the individual’s life, a study that includes a reflection of how Christian and secular music is viewed and the possible contributions of this context to understand more about their differences. And it had as general objective: to analyze the musical formation received in the evangelical churches and as specific objectives: to understand how the evangelical churches, has generated professional musicians for the labor market, to investigate the advantages of music teaching in evangelical churches as well as to analyze the challenges faced by evangelical musicians in their professional performance. The methodology applied was qualitative and developed in two moments: in the first moment documentary analysis and in the second moment, interview through a questionnaire with five evangelical musicians. According to the interviewees and in their reflections, it was allowed to understand the initial formation until the life of a professional musician, we observed that there is a great opening in the music market for these professional musicians called evangelical Christians that has naturally been growing and contributing to supply the bands in general as professional and competent musicians.
Revista Cientifica Multidisciplinar Nucleo Do Conhecimento
Title: Music as a transforming agent in the individual’s life
Description:
This work is about music as a transforming agent in the individual’s life, a study that includes a reflection of how Christian and secular music is viewed and the possible contributions of this context to understand more about their differences.
And it had as general objective: to analyze the musical formation received in the evangelical churches and as specific objectives: to understand how the evangelical churches, has generated professional musicians for the labor market, to investigate the advantages of music teaching in evangelical churches as well as to analyze the challenges faced by evangelical musicians in their professional performance.
The methodology applied was qualitative and developed in two moments: in the first moment documentary analysis and in the second moment, interview through a questionnaire with five evangelical musicians.
According to the interviewees and in their reflections, it was allowed to understand the initial formation until the life of a professional musician, we observed that there is a great opening in the music market for these professional musicians called evangelical Christians that has naturally been growing and contributing to supply the bands in general as professional and competent musicians.
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