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The Emersonian Presence in Abstract Expressionism

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In all of the literature on abstract expressionism, very little has been written about what I would call the Emersonian presence. It is a presence rather than a source or influence. And it is not limited to Emerson, since it can be found in such figures as Walt Whitman and William James, among others. But it is easier to say “an Emersonian presence” because precise influences are difficult, probably impossible, to establish. What I am concerned with is an attitude of mind that recurs in American intellectual history and that resonates through much 20th-century American art, ranging from early modernists such as John Marin through artists associated with process art. I do not mean to deny other welldocumented European and American sources, influences, and presences in abstract expressionism and other American movements, but only to call attention at this time to the Emersonian presence.
Cambridge University Press (CUP)
Title: The Emersonian Presence in Abstract Expressionism
Description:
In all of the literature on abstract expressionism, very little has been written about what I would call the Emersonian presence.
It is a presence rather than a source or influence.
And it is not limited to Emerson, since it can be found in such figures as Walt Whitman and William James, among others.
But it is easier to say “an Emersonian presence” because precise influences are difficult, probably impossible, to establish.
What I am concerned with is an attitude of mind that recurs in American intellectual history and that resonates through much 20th-century American art, ranging from early modernists such as John Marin through artists associated with process art.
I do not mean to deny other welldocumented European and American sources, influences, and presences in abstract expressionism and other American movements, but only to call attention at this time to the Emersonian presence.

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