Conclusion: The flow of life in Bronze Age Britain and Ireland

It is evident from the discussion in previous chapters that the projection into the past of dualistic conceptual frameworks that sharply distinguish subject from object, for example, or culture from nature, is problematic. Instead, the evidence suggests that the Bronze Age self was not constructed in opposition to an external ‘other’. Things outside of the body, such as significant objects, formed inalienable components of the person, while parts of the human body circulated in the same exchange networks as objects. The self was constituted relationally, so that the social and political position of particular people depended on their connections with others. Special places, too, were sedimented into the self, forming an inextricable part of personal, family, and community histories. The Bronze Age person can therefore be viewed as a composite—an assemblage of substances and elements flowing in and out of the wider social landscape. Indeed, it is interesting to note how ideas of substance may have changed from the Neolithic to the Bronze Age. Neolithic technologies—notably the grinding and polishing of stone axes—made evident the qualities of the material itself: polishing enhanced the colour, texture, and geological inclusions of such objects, rendering visible their very essence and origin (Whittle 1995; Cooney 2002). By contrast, bronze was made of a mixture of materials and its constituent elements were hidden. The production of composite objects also became more frequent during the Bronze Age (Jones 2002, 164–5), for example the miniature halberd pendant made of gold, amber, and copper alloy from an Early Bronze Age grave at Wilsford G8 in Wiltshire (Needham et al. 2015a, 230). Sometimes particular components of such items were concealed: the conical pendant or button from Upton Lovell G2e in Wiltshire comprised a shale core covered with sheet gold (Needham et al. 2015a, 222–5). This need not indicate an attempt to deceive others into believing this item was made of solid gold, however, for shale was itself used to make decorative items and was evidently a valued material during this period.