Javascript must be enabled to continue!
Bracelet
View through Europeana Collections
Bracelet made up of twelve pairs of convex links decorated with damascene Toledo. Pressure clasp. \Eusebio Zuloaga introduced this technique in Eibar in the middle of the 19th century, a craft that would also develop thanks to the impulse of his son, Plácido Zuloaga. The inspiration came from pieces made with this technique that were kept in the Armoury of the Royal Palace in Madrid. It was Plácido who called damascene the art of inlaying silver and gold in steel or blued iron work, due to the fact that the armour he had brought from the Royal Palace belonged to a warrior from Damascus (Syria). In Eibar, this technique was especially used to make pieces of furniture and all kinds of weapons. In 1875, a group of workers from Eibar settled in Toledo, thus giving rise to the relationship between damascene and the city of the Tagus. However, two periods of splendour of damascene work can be distinguished in Eibar: the first between 1910 and 1914, when the ornaments and jewellery produced in Eibar caused a furore all over Europe; and the second between 1941 and 1950, when damascene objects became one of the Spanish (and Toledo) souvenirs par excellence.
Title: Bracelet
Description:
Bracelet made up of twelve pairs of convex links decorated with damascene Toledo.
Pressure clasp.
\Eusebio Zuloaga introduced this technique in Eibar in the middle of the 19th century, a craft that would also develop thanks to the impulse of his son, Plácido Zuloaga.
The inspiration came from pieces made with this technique that were kept in the Armoury of the Royal Palace in Madrid.
It was Plácido who called damascene the art of inlaying silver and gold in steel or blued iron work, due to the fact that the armour he had brought from the Royal Palace belonged to a warrior from Damascus (Syria).
In Eibar, this technique was especially used to make pieces of furniture and all kinds of weapons.
In 1875, a group of workers from Eibar settled in Toledo, thus giving rise to the relationship between damascene and the city of the Tagus.
However, two periods of splendour of damascene work can be distinguished in Eibar: the first between 1910 and 1914, when the ornaments and jewellery produced in Eibar caused a furore all over Europe; and the second between 1941 and 1950, when damascene objects became one of the Spanish (and Toledo) souvenirs par excellence.
Related Results
Gold enamel bracelet, with the mark of Auguste Lion, made in France (Paris), about 1870-80. Flexible gold and enamel bracelet. Mark of Auguste Lion. Gold and enamel.
Gold enamel bracelet, with the mark of Auguste Lion, made in France (Paris), about 1870-80. Flexible gold and enamel bracelet. Mark of Auguste Lion. Gold and enamel.
Gold enamel bracelet, with the mark of Auguste Lion, made in France (Paris), about 1870-80. Flexible gold and enamel bracelet. Mark of Auguste Lion. Gold and enamel....
Gold bracelet, the front cast with a female nude and set with pearls and opals, designed and made by A.C.C. Jahn, Wolverhampton, 1900-1901. Bracelet of gold, the front cast with a female nude and set with pearls and opals. Gold, pearls and opals.
Gold bracelet, the front cast with a female nude and set with pearls and opals, designed and made by A.C.C. Jahn, Wolverhampton, 1900-1901. Bracelet of gold, the front cast with a female nude and set with pearls and opals. Gold, pearls and opals.
Gold bracelet, the front cast with a female nude and set with pearls and opals, designed and made by A.C.C. Jahn, Wolverhampton, 1900-1901. Bracelet of gold, the front cast with a ...
Bracelet by John Donald, 1968, gold and baroque pearls in varying shades. Bracelet of alternating grey and cream baroque pearls with textured, twig-like gold elements in between. Gold and baroque pearls in varying shades.
Bracelet by John Donald, 1968, gold and baroque pearls in varying shades. Bracelet of alternating grey and cream baroque pearls with textured, twig-like gold elements in between. Gold and baroque pearls in varying shades.
Bracelet by John Donald, 1968, gold and baroque pearls in varying shades. Bracelet of alternating grey and cream baroque pearls with textured, twig-like gold elements in between. G...
Gilded silver bracelet, hinged, with applied sylised floral decoration in a neo classical manner, made by C. F. Hancock and Company, England (London), ca. 1860. Gilded silver bracelet, hinged, with applied stylised floral decoration in a neo classical man
Gilded silver bracelet, hinged, with applied sylised floral decoration in a neo classical manner, made by C. F. Hancock and Company, England (London), ca. 1860. Gilded silver bracelet, hinged, with applied stylised floral decoration in a neo classical man
Gilded silver bracelet, hinged, with applied sylised floral decoration in a neo classical manner, made by C. F. Hancock and Company, England (London), ca. 1860. Gilded silver brace...
'Dragon Flower'
'Dragon Flower'
Bracelet of gold, moonstones, sapphires and enamel, by Roger Doyle, London 1979. The bracelet features a pair of dragonflies, each emerging from a narrow bell-shaped blossom on eit...
Ornament or child's bracelet, gold, with a star-shaped plaque bearing a cross pattée within a wreath, in niello, Europe (Early Christian), about 3rd century. Ornament or child's bracelet, gold, with a star-shaped plaque bearing a cross pattée within a wre
Ornament or child's bracelet, gold, with a star-shaped plaque bearing a cross pattée within a wreath, in niello, Europe (Early Christian), about 3rd century. Ornament or child's bracelet, gold, with a star-shaped plaque bearing a cross pattée within a wre
Ornament or child's bracelet, gold, with a star-shaped plaque bearing a cross pattée within a wreath, in niello, Europe (Early Christian), about 3rd century. Ornament or child's br...
Gold bracelet with applied decoration representing Ashurbanipal, King of Assyria, after a relief in the British Museum, by John Brogden, England, about 1860. Gold bracelet with applied decoration representing Ashurbanipal (668-627 BC), King of Assyria, sa
Gold bracelet with applied decoration representing Ashurbanipal, King of Assyria, after a relief in the British Museum, by John Brogden, England, about 1860. Gold bracelet with applied decoration representing Ashurbanipal (668-627 BC), King of Assyria, sa
Gold bracelet with applied decoration representing Ashurbanipal, King of Assyria, after a relief in the British Museum, by John Brogden, England, about 1860. Gold bracelet with app...

