Javascript must be enabled to continue!
A Group of Jewellery from Diyarbakır Archaeological Museum
View through CrossRef
In this article, we present a selection of previously unpublished metal jewellery (decorative pins, fibulae, bracelets, neck rings, and earrings) housed at Diyarbakır Museum, where they were acquired by requisition or purchase. The objective of this study is to evaluate these jewellery items with common characteristics as a group and to provide a chronological assessment based on comparative typological analysis in reference to ancient Near Eastern jewellery. This contribution furthers our knowledge about the archaeological record of the Upper Tigris basin in southeast Turkey, where Diyarbakır province is located. All categories of jewellery items examined in this study show typological variability in sub-types and exhibit stylistic diversity. The majority are made of bronze, while fewer are gold-plated or made of gold, silver or iron. Jewellery items vary in terms of manufacturing technology, as well: toggle pins are produced by lost wax (cire pérdue) technique; fibulae and bracelets are made by casting; and earrings and metal neck rings are made by hammering. Decorations are executed as incised patterns in linear style. Figurative adornments of toggle pins, fibulae, bracelets, and neck rings bear testimony to the high level of craftsmanship that their makers had achieved. These artefacts from Diyarbakır Museum, like most known jewellery in the archaeological record, must have been used as grave offerings or worn as items of personal adornment, amulets or accessories for garments. Based on comparative analysis, the 47 jewellery items in Diyarbakır Museum examined here are dated to the Early and Middle Iron Age.
Title: A Group of Jewellery from Diyarbakır Archaeological Museum
Description:
In this article, we present a selection of previously unpublished metal jewellery (decorative pins, fibulae, bracelets, neck rings, and earrings) housed at Diyarbakır Museum, where they were acquired by requisition or purchase.
The objective of this study is to evaluate these jewellery items with common characteristics as a group and to provide a chronological assessment based on comparative typological analysis in reference to ancient Near Eastern jewellery.
This contribution furthers our knowledge about the archaeological record of the Upper Tigris basin in southeast Turkey, where Diyarbakır province is located.
All categories of jewellery items examined in this study show typological variability in sub-types and exhibit stylistic diversity.
The majority are made of bronze, while fewer are gold-plated or made of gold, silver or iron.
Jewellery items vary in terms of manufacturing technology, as well: toggle pins are produced by lost wax (cire pérdue) technique; fibulae and bracelets are made by casting; and earrings and metal neck rings are made by hammering.
Decorations are executed as incised patterns in linear style.
Figurative adornments of toggle pins, fibulae, bracelets, and neck rings bear testimony to the high level of craftsmanship that their makers had achieved.
These artefacts from Diyarbakır Museum, like most known jewellery in the archaeological record, must have been used as grave offerings or worn as items of personal adornment, amulets or accessories for garments.
Based on comparative analysis, the 47 jewellery items in Diyarbakır Museum examined here are dated to the Early and Middle Iron Age.
Related Results
Interpreting the Traditional Jewellery of Bedouin in Oman through Contemporary Jewellery Practice
Interpreting the Traditional Jewellery of Bedouin in Oman through Contemporary Jewellery Practice
Although traditional Omani jewellery is considered to be one of the invaluable crafts in the cultural heritage of the Sultanate, contemporary jewellery has been overlooked. Omani t...
Allure of the Abroad: Tiffany & Co., Its Cultural Influence, and Consumers
Allure of the Abroad: Tiffany & Co., Its Cultural Influence, and Consumers
Introduction Tiffany and Co. is an American luxury jewellery and specialty retailer with its headquarters in New York City. Each piece of jewellery, symbolically packaged in a blue...
Diyarbakır ve Çevresinde Kültürel Miras ve Turizm
Diyarbakır ve Çevresinde Kültürel Miras ve Turizm
Diyarbakır ve çevresi, zengin kültürel mirası ve turistik potansiyeliyle dikkat çeken bir bölgedir. Bu kitap, bölgenin kültürel mirasını ve turizm potansiyelini ele almaktadır. Yaz...
DİYARBAKIR SEKİZ KÖŞE KASKET USTASI: REMZİ KAĞAR
DİYARBAKIR SEKİZ KÖŞE KASKET USTASI: REMZİ KAĞAR
Fonksiyonel, fiziksel ve sembolik değerleriyle giyim çok boyutlu bir kavramdır. Bu kavram sosyoloji, halk bilimi, antropoloji gibi birçok disiplinde de sorgulanmaktadır. Bu kadar g...
Młodociani sprawcy przestępstw przeciwko mieniu
Młodociani sprawcy przestępstw przeciwko mieniu
The new Polish penal legislation of 1969 introduced special rules of criminal liability of young adult offenders' aged 17-20. In 1972 criminological research was undertaken in orde...
The New Aesthetics and Traditions of the Russian Stone and Jewellery Art in the Collections of Yekaterinburg Jewellery Houses
The New Aesthetics and Traditions of the Russian Stone and Jewellery Art in the Collections of Yekaterinburg Jewellery Houses
This article presents a review of the leading jewellery companies in Yekaterinburg. We present a comparative analysis of the range of products, focussing on the new stylistic desig...
Institutional Dynamics and Skills Acquisition in School-Based Jewellery Education in Ghana
Institutional Dynamics and Skills Acquisition in School-Based Jewellery Education in Ghana
School-based jewellery education in Ghana started at Kwame Nkrumah University of Science and Technology (KNUST), Kumasi-Ghana in 1968. Jewellery graduates are expected to practice ...
FERROcity: Iron in the city
FERROcity: Iron in the city
Jewellery and objects by twenty-two contemporary makers displayed alongside gemmological samples and photography that explores the interpretation and influence of Iron as catalyst,...

