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1803–1806
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The letters in Part I show Beaumont cultivating a dynamic of critical exchange with Wordsworth. Beaumont’s love of the theatre serves as a pathway to a broader discussion of the arts: they discuss the paintings of David Wilkie and Henry Edridge as well as the poetry of Robert Southey and Walter Scott. Following the death of John Wordsworth, letters concerning ‘Character of the Happy Warrior’ and ‘Elegiac Stanzas’ (touching on issues including politics, fortitude, hope and grief) demonstrate the depth and complexity of the developing friendship between Beaumont and Wordsworth. Sir George introduces Wordsworth to the literary heritage of his Coleorton estate, begins to involve him in decisions about the landscaping of the grounds, and invites him to design a Winter Garden.
Liverpool University Press
Title: 1803–1806
Description:
The letters in Part I show Beaumont cultivating a dynamic of critical exchange with Wordsworth.
Beaumont’s love of the theatre serves as a pathway to a broader discussion of the arts: they discuss the paintings of David Wilkie and Henry Edridge as well as the poetry of Robert Southey and Walter Scott.
Following the death of John Wordsworth, letters concerning ‘Character of the Happy Warrior’ and ‘Elegiac Stanzas’ (touching on issues including politics, fortitude, hope and grief) demonstrate the depth and complexity of the developing friendship between Beaumont and Wordsworth.
Sir George introduces Wordsworth to the literary heritage of his Coleorton estate, begins to involve him in decisions about the landscaping of the grounds, and invites him to design a Winter Garden.
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