Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Goddess

View through CrossRef
Goddess worship is one of the most important signposts of the cultural landscape of Hinduism. Goddesses are predominant both in pan-Indian classical discourses and in “local” vernacular discourses of Hinduism. The number of Hindu goddesses that one comes across in daily life or learns about in an academic context is astonishing; the mythologies, symbolism, ritual practices, and festivities associated with them are also heterogeneous and varied. The goddess is worshipped in India both in public and private spaces of the temple and the household. Worship practices of the goddess draw from agamic or scriptural traditions, popular devotion, and tantric esoteric traditions. In Hinduism, the divine feminine is perceived in terms of cosmogonic concepts, such as Śakti (power and embodiment of power), Māyā (deluder and delusion), and Prakṛti (the material universe, creation, and creatrix), as well as female divinities with specific identities, such as Kālī or Durgā or Lakṣmī. The cosmogonic concepts highlight different dimensions of the feminine divine in the Hindu thought. The female deities are considered as different forms and manifestations of one great goddess or Śakti in popular Hindu perceptions. Such perceptions, rather than subsuming specific manifestations of the goddess within the overarching great Śakti, reinforce these multiple manifestations as equally valid and significant. The practice and theology of goddess worship are commonly referred to as the “Śākta” tradition or “Śaktism,” which underlies a devoted orientation toward Śakti, considering her as the ultimate reality, creative force, and superior power. Kathleen Erndl (see Erndl 2004, cited under General Overviews) points out that Śaktism “should be considered a movement of its own,” although its influence is felt in streams of worship of male deities such as Vishnu and Shiva, as seen from the cults of Lakṣmī and Rādhā or the association of Śakti with Shiva. This article treats mainly goddesses in Hinduism and not women, such as legendary figures and women saints who are considered goddesses by some. It focuses on the translations of primary sources and interpretive scholarly materials that map the historical, mythological, literary, iconographic, and other cultural locations of the goddess-related or Śākta cosmogonic concepts and individual female deities in Hinduism.
Oxford University Press
Title: Goddess
Description:
Goddess worship is one of the most important signposts of the cultural landscape of Hinduism.
Goddesses are predominant both in pan-Indian classical discourses and in “local” vernacular discourses of Hinduism.
The number of Hindu goddesses that one comes across in daily life or learns about in an academic context is astonishing; the mythologies, symbolism, ritual practices, and festivities associated with them are also heterogeneous and varied.
The goddess is worshipped in India both in public and private spaces of the temple and the household.
Worship practices of the goddess draw from agamic or scriptural traditions, popular devotion, and tantric esoteric traditions.
In Hinduism, the divine feminine is perceived in terms of cosmogonic concepts, such as Śakti (power and embodiment of power), Māyā (deluder and delusion), and Prakṛti (the material universe, creation, and creatrix), as well as female divinities with specific identities, such as Kālī or Durgā or Lakṣmī.
The cosmogonic concepts highlight different dimensions of the feminine divine in the Hindu thought.
The female deities are considered as different forms and manifestations of one great goddess or Śakti in popular Hindu perceptions.
Such perceptions, rather than subsuming specific manifestations of the goddess within the overarching great Śakti, reinforce these multiple manifestations as equally valid and significant.
The practice and theology of goddess worship are commonly referred to as the “Śākta” tradition or “Śaktism,” which underlies a devoted orientation toward Śakti, considering her as the ultimate reality, creative force, and superior power.
Kathleen Erndl (see Erndl 2004, cited under General Overviews) points out that Śaktism “should be considered a movement of its own,” although its influence is felt in streams of worship of male deities such as Vishnu and Shiva, as seen from the cults of Lakṣmī and Rādhā or the association of Śakti with Shiva.
This article treats mainly goddesses in Hinduism and not women, such as legendary figures and women saints who are considered goddesses by some.
It focuses on the translations of primary sources and interpretive scholarly materials that map the historical, mythological, literary, iconographic, and other cultural locations of the goddess-related or Śākta cosmogonic concepts and individual female deities in Hinduism.

Related Results

Dewi Sri Dalam Kepercayaan Masyarakat Indonesia
Dewi Sri Dalam Kepercayaan Masyarakat Indonesia
In Hinduism, Goddess Sri is known as the wife of Lord Vishnu. There were found several statues made from stone and bronze called “Dewi Sri” (Goddess Sri) in Indonesia. Judging from...
Goddess Worship and Bhakti
Goddess Worship and Bhakti
The worship of goddesses has been a vital part of Hinduism for centuries. There are innumerable goddesses whose worship encompasses a wide range of perspectives and practices that ...
The cult of goddess Fortuna in the Roman Central Balkans
The cult of goddess Fortuna in the Roman Central Balkans
The cult of the goddess Fortuna has been attested on the territory of Roman provinces in the Central Balkans with numerous votive monuments, sculptures, votive reliefs, statu...
“Woman has won”; “(Venus won)”: On Donna Haraway’s Goddess
“Woman has won”; “(Venus won)”: On Donna Haraway’s Goddess
The concluding words of Donna J. Haraway’s essay ‘A Cyborg Manifesto’ read, “I would rather be a cyborg than a goddess”. In this article, I aim to determine the extent to which tha...
The Good Goddess in Popular Fiction
The Good Goddess in Popular Fiction
Popular fantasy or speculative fiction by women often embraces ideas of Goddess Culture and matriarchal prehistory in positive but essentialized ways. Jean Auel’s bestselling Earth...
The Etruscan Goddess Catha
The Etruscan Goddess Catha
Abstract The Etruscan goddess Catha has long been regarded as a solar deity. G. Thulin (1906) was one of the first to characterize Catha as a solar deity based on inscripti...
Like Lady Godiva
Like Lady Godiva
Introducing Lady Godiva through a Fan-Historical Lens The legend of Lady Godiva, who famously rode naked through the streets of Coventry, veiled only by her long, flowing hair, has...
लुँती अजिमा जात्रा र जीव आहुति होम {Lunti Ajima Jatra ra Jiva Aahuti Homa}
लुँती अजिमा जात्रा र जीव आहुति होम {Lunti Ajima Jatra ra Jiva Aahuti Homa}
मध्यकालीन काठमाण्डौ सहरको पश्चिमतर्फ विष्णुमती नदी किनारको ढल्को टोलमा एक शक्तिपीठ रहेको छ जसलाई स्थानीय नेवार समुदायले लुँती अजिमा नामले सम्बोधन गर्ने गर्दछन् । पौराणिक कालकी अष्ठ...

Back to Top