No one to call home girl

Artists have worked from home for many reasons, including care duties, financial or political constraints, or availability and proximity to others. From the ‘home studios...

A thoughtful glimpse into the childhood of Norma Jeane Mortenson and how it shaped her into the iconic Marilyn Monroe for the 100th anniversary of her birth. At t...

Gossip Girl: A Critical Understanding provides a critical analysis of The CW’s hit teen television drama Gossip Girl. Lori Bindig analyzes episodes as a set of media texts that blu...

Comfort, both physical and affective, is a key aspect in our conceptualization of the home as a place of emotional attachment, yet its study remains under-developed in the context ...

This chapter looks at female star narratives of the 1920s and 1930s, from The Extra Girl (1923) and Souls for Sale (1923) to Alice in Movieland (1940) and Star Dust (1940), discuss...

In the past, the tasks of establishing psychological and practical independence were linked in time. Today, these transitions are no longer successively manageable sequences; rathe...

In literature as well as life, the idea of home or homecoming is pivotal—a token, ultimately, of humanity’s insatiable longing for things enduring and ultimate. Home’s primal sense...

This chapter reviews the book A Home for All Jews: Citizenship, Rights, and National Identity in the New Israeli State (2016), by Orit Rozin, translated by Haim Watzman. In A Home ...