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Iskandar Mourns the Dying Dara (painting, verso; text, recto), folio from a manuscript of the Shahnama by Firdawsi
View through Harvard Museums
Iskandar (Alexander the Great) and Dara (Darius, ruler of the Achaemenid empire), had waged war against each other for three years. While the Iranian forces were in retreat, Dara was stabbed by two of his ministers, Mahiyar and Janusiyar, who expected a reward from Iskandar. But Iskandar, who had just learned that he was Dara’s half-brother, rushed to the scene of the attack and tenderly comforted his mortally wounded opponent.
In the center of this painting, Dara lies dying, his head cradled by Iskandar, who holds a blue handkerchief to his eyes and weeps. At left the two traitorous officers, Mahiyar and Janusiyar, are shown bound, with their heads shaved; Iskandar has assured Dara that he will have them executed. Encircling the death scene are the mournful and bewildered entourages of the two rulers. These military men are depicted not only in the usual profile and three-quarter views but also frontally and from behind. Although Dara is the elder brother, in this painting it is the lamenting Iskandar who has the white beard.
The tragic scene takes place against a colorful background painted in light blue, mauve, and ochre; the flowers, grass, rocks, and trees of the landscape offset the grimness of the human drama. Figures and landscape have both been delineated in exceptional detail.
Department of Islamic & Later Indian Art
[Mansour Gallery London 1990 or 1992] sold; to Stanford and Norma Jean Calderwood Belmont MA (1990 or 1992 - 2002) gift; to Harvard Art Museums 2002.
Harvard Art Museums/Arthur M. Sackler Museum The Norma Jean Calderwood Collection of Islamic Art
Title: Iskandar Mourns the Dying Dara (painting, verso; text, recto), folio from a manuscript of the Shahnama by Firdawsi
Description:
Iskandar (Alexander the Great) and Dara (Darius, ruler of the Achaemenid empire), had waged war against each other for three years.
While the Iranian forces were in retreat, Dara was stabbed by two of his ministers, Mahiyar and Janusiyar, who expected a reward from Iskandar.
But Iskandar, who had just learned that he was Dara’s half-brother, rushed to the scene of the attack and tenderly comforted his mortally wounded opponent.
In the center of this painting, Dara lies dying, his head cradled by Iskandar, who holds a blue handkerchief to his eyes and weeps.
At left the two traitorous officers, Mahiyar and Janusiyar, are shown bound, with their heads shaved; Iskandar has assured Dara that he will have them executed.
Encircling the death scene are the mournful and bewildered entourages of the two rulers.
These military men are depicted not only in the usual profile and three-quarter views but also frontally and from behind.
Although Dara is the elder brother, in this painting it is the lamenting Iskandar who has the white beard.
The tragic scene takes place against a colorful background painted in light blue, mauve, and ochre; the flowers, grass, rocks, and trees of the landscape offset the grimness of the human drama.
Figures and landscape have both been delineated in exceptional detail.
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