Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Hafner ware pot with portraits of Ferdinand I, King of Hungary (1503–64), Anne of Hungary (1503–47), and probably Emperor Charles V (1519–56)
View through The Met
Hard fired earthenware with sand decoration and polychrome tin-glaze and lead-glaze decoration traces of gilding
Rights: Public Domain
European Sculpture and Decorative Arts, Metropolitan Museum of Art New York NY, Gift of Lois and Anthony Blumka in honor of Wolfram Koeppe and in celebration of the Museum's 150th Anniversary 2019
Title: Hafner ware pot with portraits of Ferdinand I, King of Hungary (1503–64), Anne of Hungary (1503–47), and probably Emperor Charles V (1519–56)
Description:
Hard fired earthenware with sand decoration and polychrome tin-glaze and lead-glaze decoration traces of gilding.
Related Results
Portrait of the Emperor Charles V
Portrait of the Emperor Charles V
Portraiture constituted an important area within Cranach’s oeuvre as it was part of his repertoire from the outset of his career, increasing in terms of number of works from the ti...
Tablo with similarities of Czech rulers
Tablo with similarities of Czech rulers
Miniatures from the left - Bohemia [great-father], Step I., Step II.Libuše, Nezamysl, Mnata, Vojen, Vnislav, Křesomysl, Neklan, Hostivít, Bořivoj, Spytibrov I., Wrocław I, Václav, ...
The tomb of Ferdinand II at center in the background within the choir of the church, three arches in center foreground, Austrian coat of arms hung in center arch, from "Ceremonies for the Funeral of Emperor Ferdinand II" (Funérailles de l'empereur Ferdina
The tomb of Ferdinand II at center in the background within the choir of the church, three arches in center foreground, Austrian coat of arms hung in center arch, from "Ceremonies for the Funeral of Emperor Ferdinand II" (Funérailles de l'empereur Ferdina
Etching; second state of two, Ceremonies for the Funeral of Emperor Ferdinand II (Funérailles de l'empereur Ferdinand II)...
Façade of the church of San Lorenzo in Florence, decorated with the emperor's arms, four figures of death flanking the three entrances, the two in center on horseback, a large angel above central door, from "Ceremonies for the Funeral of Emperor Ferdinand
Façade of the church of San Lorenzo in Florence, decorated with the emperor's arms, four figures of death flanking the three entrances, the two in center on horseback, a large angel above central door, from "Ceremonies for the Funeral of Emperor Ferdinand
Etching; second state of two, Ceremonies for the Funeral of Emperor Ferdinand II (Funérailles de l'empereur Ferdinand II)...
Interior of the church of San Lorenzo in Florence, five pillars, each with a large figure of death on a pedestal, ten hooded figures with staffs in foreground, two altars in the background, cartouches containing female figures above, from "Ceremonies for
Interior of the church of San Lorenzo in Florence, five pillars, each with a large figure of death on a pedestal, ten hooded figures with staffs in foreground, two altars in the background, cartouches containing female figures above, from "Ceremonies for
Etching; second state of two, Ceremonies for the Funeral of Emperor Ferdinand II (Funérailles de l'empereur Ferdinand II)...
Emperor Leopold I confirms the articulations of the tights of three Prague cities, which were confirmed to them by Emperor Ferdinand II.1) and in some points it improves them
Emperor Leopold I confirms the articulations of the tights of three Prague cities, which were confirmed to them by Emperor Ferdinand II.1) and in some points it improves them
Coat of arms: without description, only in sanction (fol 17b) appeal to the use of the seal, miniature on folk. 20a.
A fourth shield. 1. in gold is a black stocking. 2. gold scisso...
Portrait of Ferdinand VII
Portrait of Ferdinand VII
This portrait of Ferdinand VII entered the Thyssen-Bornemisza collection in 1935 and appeared in its catalogues from 1937. It had previously been published by Mayer in an article ...