Javascript must be enabled to continue!
Analisis Stilistika Pada Puisi Tuhan Harus Mengabdi Karya Emha Ainun Nadjib
View through CrossRef
The power of poetry is its ability to arouse reflection in the reader. Poetry has its own characteristics that distinguish it from prose, especially through the use of language. This study aims to analyze the stylistics in the poem Tuhan Harus Mengabdi by Emha Ainun Nadjib. Through a stylistic approach, the analysis is directed at examining diction, imagery, concrete words, figurative language, rhyme and rhythm, theme, feelings, tone, and message. The working method in this study uses a descriptive qualitative method, which focuses on the appreciation of the interaction between concepts that are studied empirically. While the collection technique uses literature studies. The results of the study reveal that the poem Tuhan Harus Mengabdi processes religious-nuanced diction that builds concrete images of spiritual and social relations. The use of figurative language, such as metaphors and personification, becomes a medium for voicing criticism of the hierarchical structure in faith. The flexible rhyme and rhythm patterns blend with emotional intensity, anger and disappointment have been raised through feelings while the theme, tone, and message spark human ethical responsibility. This research is expected to add to the research treasury and become a reference for further research.
Asosiasi Riset Ilmu Manajemen dan Bisnis Indonesia
Title: Analisis Stilistika Pada Puisi Tuhan Harus Mengabdi Karya Emha Ainun Nadjib
Description:
The power of poetry is its ability to arouse reflection in the reader.
Poetry has its own characteristics that distinguish it from prose, especially through the use of language.
This study aims to analyze the stylistics in the poem Tuhan Harus Mengabdi by Emha Ainun Nadjib.
Through a stylistic approach, the analysis is directed at examining diction, imagery, concrete words, figurative language, rhyme and rhythm, theme, feelings, tone, and message.
The working method in this study uses a descriptive qualitative method, which focuses on the appreciation of the interaction between concepts that are studied empirically.
While the collection technique uses literature studies.
The results of the study reveal that the poem Tuhan Harus Mengabdi processes religious-nuanced diction that builds concrete images of spiritual and social relations.
The use of figurative language, such as metaphors and personification, becomes a medium for voicing criticism of the hierarchical structure in faith.
The flexible rhyme and rhythm patterns blend with emotional intensity, anger and disappointment have been raised through feelings while the theme, tone, and message spark human ethical responsibility.
This research is expected to add to the research treasury and become a reference for further research.
Related Results
Retorika Emha Ainun Nadjib
Retorika Emha Ainun Nadjib
The purpose of this study is to find out how the rhetoric of the figure of intellectual cultural Emha Ainun Nadjib, the method used in this study is a qualitative method with descr...
RELIGIUSITAS DALAM KUMPULAN PUISI CAHAYA MAHA CAHAYA KARYA EMHA AINUN NADJIB (RELIGIOSITY IN THE COLLECTION OF CAHAYA MAHA CAHAYA POEMS BY EMHA AINUN NADJIB)
RELIGIUSITAS DALAM KUMPULAN PUISI CAHAYA MAHA CAHAYA KARYA EMHA AINUN NADJIB (RELIGIOSITY IN THE COLLECTION OF CAHAYA MAHA CAHAYA POEMS BY EMHA AINUN NADJIB)
Religiusitas dalam Kumpulan Puisi Cahaya Maha Cahaya karya Emha Ainun Nadjib. Penelitianini bertujuan untuk mengetahui makna religiusitas dalam kumpulan puisi Cahaya Maha Cahaya ka...
Kajian Semiotika pada Kumpulan Puisi Nyanyian Pesisir Karya Marsel Robot
Kajian Semiotika pada Kumpulan Puisi Nyanyian Pesisir Karya Marsel Robot
Kumpulan puisi Nyanyian Pesisir karya Marsel Robot merupakan objek kajian dalam artikel ini. Puisi mengekpresikan pengalaman, pengetahuan, dan perasaan ...
KARAKTERISTIK PUISI KARYA-KARYA W.S RENDRA
KARAKTERISTIK PUISI KARYA-KARYA W.S RENDRA
Puisi memiliki karakteristik yang berbeda satu sama lain, adanya sebuah karakteristik dikarenakan ada faktor pembeda. Karakteristik puisi adalah ciri khas yang terdapat didalam pui...
KRITIK SOSIAL DALAM KUMPULAN PUISI DOA UNTUK ANAK CUCU KARYA W. S. RENDRA (SOCIAL CRITICISM IN DOA UNTUK ANAK CUCU ANTHOLOGY BY W.S. RENDRA)
KRITIK SOSIAL DALAM KUMPULAN PUISI DOA UNTUK ANAK CUCU KARYA W. S. RENDRA (SOCIAL CRITICISM IN DOA UNTUK ANAK CUCU ANTHOLOGY BY W.S. RENDRA)
Kritik Sosial dalam Kumpulan Puisi Doa untuk Anak Cucu karya W.S. Rendra. Tujuan dari penelitianini adalah: (1) Mendeskripsikan wujud kritik sosial (tentang kemiskinan, kejahatan, ...
Analisis Tema dan Gaya Bahasa pada Puisi “Yang Kuminta Hanyalah” Karya Taufiq Ismail dan Puisi “Perempuan Yang Tergusur “Karya W.S Rendra
Analisis Tema dan Gaya Bahasa pada Puisi “Yang Kuminta Hanyalah” Karya Taufiq Ismail dan Puisi “Perempuan Yang Tergusur “Karya W.S Rendra
Penelitian ini bertujuan untuk menganalisis tema dan gaya bahasa pada puisi yang kuminta hanyalah karya Taufiq Ismail dan perempuan yang tergusur karya W. S Rendra.Dan mendeskripsi...
Makna Kematian Dalam Puisi Misa Arwah Karya Dea Anugrah
Makna Kematian Dalam Puisi Misa Arwah Karya Dea Anugrah
Penelitian ini berjudul “Makna Kematian pada Puisi Misa Arwah Karya Dea Anugrah”. Penelitian ini mengkaji tentang struktur puisi dan proses pemaknaan sebuah puisi. Tujuan penelitia...
Lirik Lagu “Hanya Rindu”: Analisis Stilistika Dan Pemaknaannya
Lirik Lagu “Hanya Rindu”: Analisis Stilistika Dan Pemaknaannya
Penelitian ini bertujuan untuk mendeskripsikan: (1) mengkaji makna yang terdapat pada lirik lagu “Hanya Rindu” pada album anmesh kamaleng (2) penggunaan stilistika yang terkandung ...

