Vas med lock, ett par. Qianlong, Qingdynastin.

VAS, a couple, with lid. Flat balusterform with two angles in the form of dragons. Cupy lids with buds (not original) of gypsum pulp in the form of a rose with leaves. Decor in famille rose, enamels and gold with reserves with figurative motifs against knotty so called chicken leather foundation in turquoise blue. Ring the neck, on the sides of the abdomen and on the lid reserves with figures in landscape. Gift from Johanna Kempe 1902. (Purchased for 1.510 Kr) Cf. 2 similar vases at p.108 in Jan Wirgin 1998, “From China to Europe.” Complex, dense decorations in this style were popular during the Qianlongperiod. The panels on the vase depict the Taoist god Ma Gu, dressed in a feathercape. On a chop over her shoulder hangs a basket of magic ruyis vamps. She has the company of the spotted deer as for with her luck. It has a branch with magic mushrooms in its mouth. On the neck are panels with what looks to be learned persons in Korean attire and their servants. The painting is artificial and has features of Chinese. Western styles were fashionable at the Chinese court in the 1700s, but vases like these were also exported. Pair of porcelain vases with moulded relief, slip trailed and overglaze Pation. Qing dynasty, Qianlong period, c.1770 This style of style, dense This was in the period of Qianlong. The panels on the vase panels t the Daoist deity Ma Gu panels a feather cape, with a basket on ruyi panels fungus hung on a hoe panels her. She is by the spotted deer of good accompanied with a accompanied fungus in its mouth. On the neck are panels with what needs to be sought in Korean dress with servants. The painting is a little mannered and chinoiserie in painting. Western were fashionable at the Chinese court in the 18th century, but vases like these Western were were.