Reshaping the Romantic Canon from the Margins: The Medial Construction of ‘Byron’ in Childe Harold’s Pilgrimage

Byron has always been considered to belong to the canon of Romantic literature, but the place he occupies in the canon has been a special and recently a marginalised one. Byron’s phenomenal success and his special position within literary history is mainly the result of what is called the medial construction of “Byron”. The melancholic Byronic hero of the earlier works together with the narrative voice lead to rhetorical constructions of “Byron” that easily cross authorial and medial boundaries and turn into the Byronic vampire in Polidori’s novella, in the theatre and in the opera. In this reading of Childe Harold’s Pilgrimage, Byron is shown as the construct of medial and public perception.