Javascript must be enabled to continue!
A Progressive Poetic Tradition and the Ghazal
View through CrossRef
This article explores the intersection between the Progressive poetic tradition and the ghazal. The Progressive movement, known as "Taraqi Passand" in Urdu, emerged as a literary movement in the 20th century, aiming to challenge conventional poetic norms and embrace new ideas and social realities. While the ghazal traditionally revolved around themes of love, longing, and beauty, the Progressive poets sought to expand its boundaries and infuse it with socio-political relevance. This article delves into the historical context of the Progressive poetic tradition, highlighting its goals of addressing social injustices, advocating for political reform, and amplifying the voices of marginalized communities. By incorporating these concerns into the ghazal, the Progressive poets transformed the traditional form into a powerful tool for social commentary and critique. Furthermore, this article discusses the thematic evolution of the ghazal within the Progressive tradition. It explores how the poets expanded the traditional themes to encompass issues of inequality, poverty, discrimination, and the challenges of modernization. By doing so, the Progressive poets widened the scope of the ghazal and made it a reflection of the changing times and the evolving concerns of society. Through an exploration of the blending of the ghazal's structural framework with progressive ideas, this article emphasizes the significant role played by the Progressive poets in shaping the modern Urdu literary landscape. By infusing the ghazal with socio-political perspectives, they brought depth, diversity, and relevance to the traditional form, and in turn, opened new possibilities for poetic expression. In summary, this article highlights the symbiotic relationship between the Progressive poetic tradition and the ghazal, showcasing how the poets of this movement used the form to convey their socio-political concerns and contribute to the broader discourse of their time.
Title: A Progressive Poetic Tradition and the Ghazal
Description:
This article explores the intersection between the Progressive poetic tradition and the ghazal.
The Progressive movement, known as "Taraqi Passand" in Urdu, emerged as a literary movement in the 20th century, aiming to challenge conventional poetic norms and embrace new ideas and social realities.
While the ghazal traditionally revolved around themes of love, longing, and beauty, the Progressive poets sought to expand its boundaries and infuse it with socio-political relevance.
This article delves into the historical context of the Progressive poetic tradition, highlighting its goals of addressing social injustices, advocating for political reform, and amplifying the voices of marginalized communities.
By incorporating these concerns into the ghazal, the Progressive poets transformed the traditional form into a powerful tool for social commentary and critique.
Furthermore, this article discusses the thematic evolution of the ghazal within the Progressive tradition.
It explores how the poets expanded the traditional themes to encompass issues of inequality, poverty, discrimination, and the challenges of modernization.
By doing so, the Progressive poets widened the scope of the ghazal and made it a reflection of the changing times and the evolving concerns of society.
Through an exploration of the blending of the ghazal's structural framework with progressive ideas, this article emphasizes the significant role played by the Progressive poets in shaping the modern Urdu literary landscape.
By infusing the ghazal with socio-political perspectives, they brought depth, diversity, and relevance to the traditional form, and in turn, opened new possibilities for poetic expression.
In summary, this article highlights the symbiotic relationship between the Progressive poetic tradition and the ghazal, showcasing how the poets of this movement used the form to convey their socio-political concerns and contribute to the broader discourse of their time.
Related Results
Juhan Liivi käsitus luulekunstist / Juhan Liiv's Conception of Poetics
Juhan Liivi käsitus luulekunstist / Juhan Liiv's Conception of Poetics
Teesid: Artikkel tutvustab Juhan Liivi (1864–1913) luulekäsitust. Liivi mõtlemise selgust ja rangust on senistes tõlgendustes alahinnatud. Uurimuses näitan, et Liivi mõtteavalduste...
The Urdu Ghazal
The Urdu Ghazal
The Urdu ghazal is a marvel of the magnetic dynamism of husn o i’shq filled with innovative imagery. It is a celebration of life and love in an ambiance of pure ecstasy. It has a p...
Simin Behbahani's Poetic Conversations
Simin Behbahani's Poetic Conversations
From the beginning of her career, Simin Behbahani stresses her intention to reflect contemporary concerns in her poetry. She has continued to use the traditional form of ghazal and...
A CRITICAL REVIEW OF THE GHAZAL OF JOSH MALIHABADI
A CRITICAL REVIEW OF THE GHAZAL OF JOSH MALIHABADI
Josh Malih Abadi's name has a unique place in the history of Urdu literature as a shining and brilliant chapter in terms of poetic aspects and creative energy. While Josh is a poet...
اردو غزل کا معتبر حوالہ…حفیظ شاہد
اردو غزل کا معتبر حوالہ…حفیظ شاہد
Abstract
Hafeez Shahid is one of the greatest Urdu poet belonging to KhanPur District Rahim Yar Khan .He wrote six books on poetry in which “Safar Rshni ka” is his first book. He...
Bal-E-Jabreel's Taghzal: A Research And Critical Review
Bal-E-Jabreel's Taghzal: A Research And Critical Review
Allama Iqbal completely changed the body of Ghazal. Thanks to Iqbal, today Urdu Ghazal is reaching the extremes of development and all kinds of ideas are being expressed in it. I...
NEW FORMS OF MODERN GHAZAL
NEW FORMS OF MODERN GHAZAL
Every genre of literature transforms with time by the means of form and content. Ghazal is the most popular and form-based genre of Urdu Literature. Though very confirmed and defin...
https://habibiaislamicus.com/index.php/hirj/article/view/69
https://habibiaislamicus.com/index.php/hirj/article/view/69
Profusion of poetic citations in the Arabic Linguistics books point to the fact that the study of Arabic language has been, from the very outset, based upon poetic evidence. There ...

