Freya Jarman-Ivens, ed. Oh Boy! Masculinities and Popular Music

Joris Ivens (1898-1989) is a Dutch pioneer of rhetorical documentary films. Between 1930 and 1961, he filmed in countries where civil wars were raging or where struggles took place...

One of the greatest joys in watching Foxtel is to see all the crazy people who run talk shows. Judgement, ridicule and generalisations slip from their tongues like overcooked lamb ...

<p>From 1840, when New Zealand became part of the British Empire, until 1940 when the nation celebrated its Centennial, the piano was the most dominant instrument in domestic...

This essay traces the development of Derek Jarman’s ideas about Christopher Marlowe’s tragedy from his student days at King’s College London, through the film Edward II (1991), to ...

Joris Ivens (Georg Henri Anton Ivens), nicknamed "The Flying Dutchman" for his globe-trotting career, was a Dutch documentary maker. His political commitment and deft use of montag...

<p>This thesis explores the performance and articulation of masculinity in Johann Strauss’s third operetta, Die Fledermaus. Since the operetta’s premiere at the Theater an de...

This article traces the development of Jarman's imagination of medieval reliquary devotion as a practice of queer mourning and memorialization between 1981 and ca. 1993: from draft...

Although it has come under multiple attacks and pressures over the past decades, patriarchy has proven itself to be highly resilient and adaptive. However, new ways of “being men” ...