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Altoon + Porter Architects
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Which Comes First, the Music or the Lyrics?
Which Comes First, the Music or the Lyrics?
This chapter explores Porter's writing style. It shows that what makes Porter's lyrics unforgettable is the way they combine with the music. There is no more perfect example of thi...
Kiss Me, Kate
Kiss Me, Kate
This chapter examines Porter's Kiss Me, Kate. Written in 1948, it holds a unique place in Porter's career and represents the fullest flowering of his mature talent. Porter met the ...
Cole Porter’s Papers
Cole Porter’s Papers
This chapter presents the author's reflections as the archivist for the Cole Porter Collection in the Music Division of the Library of Congress. He shares are some of the things th...
Cole Porter at Yale
Cole Porter at Yale
This chapter focuses on Porter's years (1909–13) at Yale. Looking back at these years, the musical comedy scores Porter wrote for his fraternity, Delta Kappa Epsilon, and for the a...
“The Beat Beat Beat of the Tom-Tom”
“The Beat Beat Beat of the Tom-Tom”
This chapter explores the extensive range of musical references in Porter's songs to view the meanings that emerge out of this eclecticism, with particular focus on “Begin the Begu...
The beaux-arts boys on the boulevards, or, The invasion of Paris in 1931
The beaux-arts boys on the boulevards, or, The invasion of Paris in 1931
Society of Beaux-Arts Architects, Travel, 1931, Society of Beaux-Arts Architects...
Porter le temps
Porter le temps
Le temps est doublement protagoniste dans cet ouvrage: comme histoire et mémoire des transformations urbaines, mais aussi en tant que «matière première» d’un savoir-faire hautement...


