Javascript must be enabled to continue!
Giraldi Cambrensis opera
View through CrossRef
Despite a frustrated ecclesiastical career - his ongoing failure to secure the See of St David's embittered him - Giraldus Cambrensis (Gerald of Wales, Gerald de Barry, c.1146–1220/23) composed many remarkable literary works, initially while employed as a royal clerk for Henry II and, subsequently, in semi-retirement in Lincoln. Eight volumes of his works were compiled as part of the Rolls Series of British medieval material. Volume 8, edited by archivist George F. Warner (1845–1936) and published in 1891, contains his 'Liber de principis instructione', a moral treatise including much invective against the Angevin court. Written while Louis of France - in whose support Giraldus composed a poem - was scheming to replace King John, the Latin text, in Giraldus' vigorous and anecdotal style, gives a vivid picture of contemporary politics, while the English introduction illuminates nineteenth-century interest in the period.
Cambridge University Press
Title: Giraldi Cambrensis opera
Description:
Despite a frustrated ecclesiastical career - his ongoing failure to secure the See of St David's embittered him - Giraldus Cambrensis (Gerald of Wales, Gerald de Barry, c.
1146–1220/23) composed many remarkable literary works, initially while employed as a royal clerk for Henry II and, subsequently, in semi-retirement in Lincoln.
Eight volumes of his works were compiled as part of the Rolls Series of British medieval material.
Volume 8, edited by archivist George F.
Warner (1845–1936) and published in 1891, contains his 'Liber de principis instructione', a moral treatise including much invective against the Angevin court.
Written while Louis of France - in whose support Giraldus composed a poem - was scheming to replace King John, the Latin text, in Giraldus' vigorous and anecdotal style, gives a vivid picture of contemporary politics, while the English introduction illuminates nineteenth-century interest in the period.
Related Results
Giraldi Cambrensis opera
Giraldi Cambrensis opera
Despite a frustrated ecclesiastical career - his ongoing failure to secure the See of St David's embittered him - Giraldus Cambrensis (Gerald of Wales, Gerald de Barry, c.1146–1220...
Giraldi Cambrensis opera
Giraldi Cambrensis opera
Despite a frustrated ecclesiastical career - his ongoing failure to secure the See of St David's embittered him - Giraldus Cambrensis (Gerald of Wales, Gerald de Barry, c.1146–1220...
Giraldi Cambrensis opera
Giraldi Cambrensis opera
Despite a frustrated ecclesiastical career - his ongoing failure to secure the See of St David's embittered him - Giraldus Cambrensis (Gerald of Wales, Gerald de Barry, c.1146–1220...
Giraldi Cambrensis opera
Giraldi Cambrensis opera
Despite a frustrated ecclesiastical career - his ongoing failure to secure the See of St David's embittered him - Giraldus Cambrensis (Gerald of Wales, Gerald de Barry, c.1146–1220...
Opera Manual
Opera Manual
You are getting ready for a performance of Donizetti’s L’elisir d’amore and you have a few questions. How many clarinets are in the orchestra? How many orchestra members appear ons...
Queer Opera
Queer Opera
In Queer Opera, Andrew Sutherland argues that operas often reflect characteristics of the society and epistime in which they are written but that they also do much more than that; ...
Opera as Art
Opera as Art
In Opera as Art: Philosophical Sketches, Paul Thom argues for opera as an art, standing alongside other artforms that employ visual and sonic media to embody the great themes of hu...
Emma Abbott, the “People’s Prima Donna”
Emma Abbott, the “People’s Prima Donna”
The focus of this chapter is the most successful grand opera company of the decade, the troupe of Emma Abbott. This prima donna was thoroughly trained in the Italian school and per...

