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Christina Rossetti
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Christina Rossetti: Poetry, Ecology, Faith suggests that the life and works of Christina Rossetti offer a commentary on the relationship between Christianity and ecology. It counters readings of her as a withdrawn or apolitical poet by reading her Anglo-Catholic faith in the context of her commitment to the nonhuman. Rossetti considered the doctrines and ideas associated with the Catholic Revival to be revelatory of an ecology of creation in which all things, material and immaterial, human and nonhuman, divine and embodied, are interconnected. The book focuses on her close attention to the Bible, the Church Fathers, and Francis of Assisi to show how her poetry, prose, and letters refused the nineteenth-century commodification of creation and declared it as a new and shared reality kept in eternal flux by the nondual love of the Trinity. In chapters on her early involvement in the Oxford Movement, her relationship to the Pre-Raphaelite Brotherhood, Franciscan commitment to the diversity of plant and animal life through her anti-vivisection activism, and green reading of the apocalypse as transformative rather than destructive, the book traces an ecological love command in her writing, one she considered it a Christian duty to fulfil. It illuminates Rossetti’s at once sensitive and keenly ethical readings of the place of flora and fauna, stars and planets, humans and angels in creation, and is also the first study of its kind to argue for the centrality of spiritual materialism in her work, one driven by a prevenient and green grace.
Title: Christina Rossetti
Description:
Christina Rossetti: Poetry, Ecology, Faith suggests that the life and works of Christina Rossetti offer a commentary on the relationship between Christianity and ecology.
It counters readings of her as a withdrawn or apolitical poet by reading her Anglo-Catholic faith in the context of her commitment to the nonhuman.
Rossetti considered the doctrines and ideas associated with the Catholic Revival to be revelatory of an ecology of creation in which all things, material and immaterial, human and nonhuman, divine and embodied, are interconnected.
The book focuses on her close attention to the Bible, the Church Fathers, and Francis of Assisi to show how her poetry, prose, and letters refused the nineteenth-century commodification of creation and declared it as a new and shared reality kept in eternal flux by the nondual love of the Trinity.
In chapters on her early involvement in the Oxford Movement, her relationship to the Pre-Raphaelite Brotherhood, Franciscan commitment to the diversity of plant and animal life through her anti-vivisection activism, and green reading of the apocalypse as transformative rather than destructive, the book traces an ecological love command in her writing, one she considered it a Christian duty to fulfil.
It illuminates Rossetti’s at once sensitive and keenly ethical readings of the place of flora and fauna, stars and planets, humans and angels in creation, and is also the first study of its kind to argue for the centrality of spiritual materialism in her work, one driven by a prevenient and green grace.
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