Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Hero into General:

View through CrossRef
ABSTRACT One of the interpretive models applied by the ancient Greeks to their myths was the recasting of heroes as generals and their lonely quests as elaborate military campaigns. In the first instances, this reimagining of mythic narratives was intended to explain the esteem in which heroes were held, lend credibility to their legends, and extend the period of recorded history. Rather than “debunking,” the interpretation of heroes as generals was a positive attempt to bolster the reputation of the heroes and their cults. Over time this particular kind of historicization seems to have enjoyed extensive popularity, so much so that its rationale crept into even the most inhospitable genres, like epic, which rejected rationalization on the whole. Indeed, so popular was the understanding of heroes as generals, it was not necessarily made explicit in accounts that took it as a premise. The very prevalence of this historical interpretation of myth seems to have resulted in a return to at least the appearance of fable form in accounts of mythic heroes intended as historical narratives. The seismic ideological shift from a predominant paganism in the ancient Mediterranean to a predominant Christianity also finally made the historicization of myth a kind of debunking. Not that Christian versions of myth denied the existence of heroes, rather they stressed their most disreputable characteristics and deeds and attempted to undermine the regard in which heroes were held. This article will explore the development of the interpretation of heroes as generals through an examination of the accounts of three different figures: Heracles in Dionysius of Halicarnassus, Dionysus in Nonnus of Panopolis, and Perseus in John Malalas.
Title: Hero into General:
Description:
ABSTRACT One of the interpretive models applied by the ancient Greeks to their myths was the recasting of heroes as generals and their lonely quests as elaborate military campaigns.
In the first instances, this reimagining of mythic narratives was intended to explain the esteem in which heroes were held, lend credibility to their legends, and extend the period of recorded history.
Rather than “debunking,” the interpretation of heroes as generals was a positive attempt to bolster the reputation of the heroes and their cults.
Over time this particular kind of historicization seems to have enjoyed extensive popularity, so much so that its rationale crept into even the most inhospitable genres, like epic, which rejected rationalization on the whole.
Indeed, so popular was the understanding of heroes as generals, it was not necessarily made explicit in accounts that took it as a premise.
The very prevalence of this historical interpretation of myth seems to have resulted in a return to at least the appearance of fable form in accounts of mythic heroes intended as historical narratives.
The seismic ideological shift from a predominant paganism in the ancient Mediterranean to a predominant Christianity also finally made the historicization of myth a kind of debunking.
Not that Christian versions of myth denied the existence of heroes, rather they stressed their most disreputable characteristics and deeds and attempted to undermine the regard in which heroes were held.
This article will explore the development of the interpretation of heroes as generals through an examination of the accounts of three different figures: Heracles in Dionysius of Halicarnassus, Dionysus in Nonnus of Panopolis, and Perseus in John Malalas.

Related Results

Euthymos of Locri: a case study in heroization in the Classical period
Euthymos of Locri: a case study in heroization in the Classical period
AbstractEuthymos was a real person, an Olympic victor from Locri Epizephyrii in the first half of the fifth century BC. Various sources attribute to him extraordinary achievements:...
“Burning Burning Burning Burning”: The Fire of The Waste Land in Anna Akhmatova’s Poem Without a Hero
“Burning Burning Burning Burning”: The Fire of The Waste Land in Anna Akhmatova’s Poem Without a Hero
"In 1940, when the flames of WWII were already devastating Europe and approaching the USSR, the Russian poet Anna Akhmatova (1889-1966) started what was to become her last major wo...
Domestic noir: Fictionalising trauma survival
Domestic noir: Fictionalising trauma survival
How can authors fictionalise trauma without cognitively suffering intense vicarious trauma in that writing process? This paper explores this question through the lens of fictionali...
Geryon the Hero, Herakles the God
Geryon the Hero, Herakles the God
AbstractThis paper re-evaluates the narrative roles occupied by Geryon and Herakles in Stesichoros’ Geryoneis in the light of contemporary thinking about Herakles’ apotheosis. It p...
Harry Potter – National Hero and National Heroic Epic
Harry Potter – National Hero and National Heroic Epic
Joanne K. Rowling's teenage wizard has enchanted readers all over the globe and Harry Potter can truly be called an international hero. However, as I will argue, he is also very mu...
The Structure of Plasticity: Resistance and Accommodation in Russian New Drama
The Structure of Plasticity: Resistance and Accommodation in Russian New Drama
The history of the Russian stage traces the importance of objects in storytelling back to an earlier art: plastika, a stylized acting technique that “speaks” spatially with objects...
Hercules belegerd door de Pygmeeën, schilderijen van Jan van Scorel en Frans Floris naar een Icon van Philostratus
Hercules belegerd door de Pygmeeën, schilderijen van Jan van Scorel en Frans Floris naar een Icon van Philostratus
AbstractA lost painting by Jan van Scorel (1495-1562), Hercules besieged by the Pygmies, is reconstructed with the aid of epigrams by the brothers Nicolaus Grudius Nicolai ( 1504-7...
Sasha Sokolov's Twilight Cosmos: Themes and Motifs
Sasha Sokolov's Twilight Cosmos: Themes and Motifs
Sasha Sokolov is the author of three remarkably different novels. The first, A School for Fools (1976), tells of a schizophrenic adolescent and his attempts to come to terms with t...

Recent Results

Long-necked jar (hu)
Long-necked jar (hu)
Globular jar with flared mouth, cylindrical neck, globular body, lower portion of body tapering inward to a countersunk base, and two loop supports for simulated ring handles on th...

Back to Top