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Album of Ornamental Detail: Drawings, Stencils and Photographs

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Album with black-cloth-covered cardboard covers; leather-covered spine and corners. White silked paper (treated with clay to resemble silk) endpapers. Twenty-seven pages of off-white cardboard. Contents: Commercial photographs printed by Spanish companies of the interior of the Alhambra, with details of tile work; ornamental designs based on and related to the designs at the Alhambra; designs for stencils, actual stencils cut from cardboard, and designs printed on textured paper from a stencil; sketches of fountains from South Kensington Gardens and Rouen as well as capitals, lintels, pedestals, and other architectural details from Italy and Granada. A section of the second page has been cut away, perhaps so that a drawing on tracing paper affixed to that page could be laid over a drawing mounted on the next.It is not clear who assembled this album, but it may have been arranged by the artist as a source book of decorative motifs and ornament used in working out aspects of the Boston Public Library project.
Department of Drawings To the artist's sisters Violet (Mrs. Francis) Ormond and Emily Sargent at his death 1925; gift of Mrs. Ormond to the Fogg Art Museum 1937. Harvard Art Museums/Fogg Museum Gift of Mrs. Francis Ormond
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Title: Album of Ornamental Detail: Drawings, Stencils and Photographs
Description:
Album with black-cloth-covered cardboard covers; leather-covered spine and corners.
White silked paper (treated with clay to resemble silk) endpapers.
Twenty-seven pages of off-white cardboard.
Contents: Commercial photographs printed by Spanish companies of the interior of the Alhambra, with details of tile work; ornamental designs based on and related to the designs at the Alhambra; designs for stencils, actual stencils cut from cardboard, and designs printed on textured paper from a stencil; sketches of fountains from South Kensington Gardens and Rouen as well as capitals, lintels, pedestals, and other architectural details from Italy and Granada.
A section of the second page has been cut away, perhaps so that a drawing on tracing paper affixed to that page could be laid over a drawing mounted on the next.
It is not clear who assembled this album, but it may have been arranged by the artist as a source book of decorative motifs and ornament used in working out aspects of the Boston Public Library project.

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