Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Bowl with Masked Dancing Figure

View through Harvard Museums
White, curving horns appear to sprout from the red head of the enigmatic figure whose outstretched arms and running legs fill the contours of this bowl. Perhaps a bull’s head is represented, but the blurring of the black pigment in the glaze has obscured the artist’s intentions here and elsewhere. The rendering of the hands is equally ambiguous, possibly meant to suggest the thumb and knuckles of a clenched fist. The hand reaching backward appears to hold a leafy branch. The space around the figure is filled with a miscellany of motifs, including a flower, a palmette, fragmentary letters in Kufic script, and a bird. Groups of four or five short lines divide the rim into five sections, colored either green or yellow. This bowl closely resembles figural wares with buff-colored bodies reported by Charles Wilkinson to have come from excavations at Nishapur. Here, however, the off-white background is obtained from slip covering a reddish ceramic fabric, and the yellow background results from staining from fine chromite particles, rather than the more customary lead-tin or lead-antimony. The base, which is slightly concave and beveled, is only partially covered by the slip. The bowl, once broken, is in good condition, having been put back together from at least four major fragments. On the interior, overpainting is largely limited to the center: the figure’s collar and shoulders, his groin, and the upper lapels of his torso.
Department of Islamic & Later Indian Art [Hadji Baba Ancient Art London 1985] sold; to Stanford and Norma Jean Calderwood Belmont MA (1985-2002) gift; to Harvard Art Museums 2002. Harvard Art Museums/Arthur M. Sackler Museum The Norma Jean Calderwood Collection of Islamic Art
Title: Bowl with Masked Dancing Figure
Description:
White, curving horns appear to sprout from the red head of the enigmatic figure whose outstretched arms and running legs fill the contours of this bowl.
Perhaps a bull’s head is represented, but the blurring of the black pigment in the glaze has obscured the artist’s intentions here and elsewhere.
The rendering of the hands is equally ambiguous, possibly meant to suggest the thumb and knuckles of a clenched fist.
The hand reaching backward appears to hold a leafy branch.
The space around the figure is filled with a miscellany of motifs, including a flower, a palmette, fragmentary letters in Kufic script, and a bird.
Groups of four or five short lines divide the rim into five sections, colored either green or yellow.
This bowl closely resembles figural wares with buff-colored bodies reported by Charles Wilkinson to have come from excavations at Nishapur.
Here, however, the off-white background is obtained from slip covering a reddish ceramic fabric, and the yellow background results from staining from fine chromite particles, rather than the more customary lead-tin or lead-antimony.
The base, which is slightly concave and beveled, is only partially covered by the slip.
The bowl, once broken, is in good condition, having been put back together from at least four major fragments.
On the interior, overpainting is largely limited to the center: the figure’s collar and shoulders, his groin, and the upper lapels of his torso.

Related Results

Dance belt
Dance belt
362-187Hopi woven belt, faja (TK); wool; l. 239 cm., w. 9 cm.; ca. 1880.\Such belts were usually used by women to secure their dress, but on ceremonial occasions men adopted these ...
Dancing Fairies
Dancing Fairies
The moon illuminates a still landscape through which a river flows sedately. Trees appear as dark silhouettes against the sky. Hand-in-hand, the elves sweep like a wispy mist throu...
Bowl with Radial Foliate Design
Bowl with Radial Foliate Design
The interior of this bowl is divided into eight equal sections by lines, embellished with dots and twining tendrils, that spring from triangular arabesques and terminate with pairs...
Bowl with a Cheetah Standing on the Back of a Horse
Bowl with a Cheetah Standing on the Back of a Horse
Figural designs on polychrome ceramics offer tantalizing and often puzzling glimpses into the complex society of the Samanid realm, now divided between northeastern Iran and Uzbeki...
Hydria (water jar): Theseus and the Minotaur
Hydria (water jar): Theseus and the Minotaur
Theseus and the Minotaur. Theseus stands in the center facing right and holds the Minotaur by one horn while stabbing the monster with a short sword. The Minotaur, who kneels near ...
Bowl Inscribed with Sayings of the Prophet Muhammad and 'Ali ibn Abi Talib
Bowl Inscribed with Sayings of the Prophet Muhammad and 'Ali ibn Abi Talib
With its pure white slip, precise calligraphy, and perfectly clear glaze, this deep-walled bowl embodies the finest qualities of Samanid epigraphic wares. Most surviving examples o...
Bowl with Harpies
Bowl with Harpies
In the center of this bowl two harpies (composite bird-women) are turned toward each other, their tail feathers joining overhead in an ogival arch. In Islamic lands these mythical ...
Fragmentary Bowl with Inscription
Fragmentary Bowl with Inscription
The inscription painted around the rim of this fragmentary bowl has thus far defied reading. It is possible that the many sherds from which the bowl was reconstructed before Norma ...

Recent Results

Divine Poiesis and Abstract Entities
Divine Poiesis and Abstract Entities
According to Anselm, God is understood as a being than which nothing greater can be conceived. God is the greatest possible being. In this tradition, which has come to be spoken of...
The mosaics of Rome
The mosaics of Rome
Walter Fraser Oakeshott, Early Christian Mosaics, 1967, Thames & Hudson...

Back to Top