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Trilby
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‘You shall see nothing, hear nothing, think of nothing but Svengali, Svengali, Svengali!’ First published in 1894, the story of the diva Trilby O'Ferrall and her mesmeric mentor, Svengali, has entered the mythology of the time alongside Dracula and Sherlock Holmes. Immensely popular for a number of years, the novel led to a hit play, a series of popular films, and the trilby hat. The setting of the story reflects the author's bohemian years as an art student in Paris; indeed James McNeill Whistler was to recognize himself in one of the early serialized instalments. George Du Maurier was a celebrated caricaturist for Punch magazine and his drawings for the novel form part of its appeal - this edition includes his most significant illustrations.
Title: Trilby
Description:
‘You shall see nothing, hear nothing, think of nothing but Svengali, Svengali, Svengali!’ First published in 1894, the story of the diva Trilby O'Ferrall and her mesmeric mentor, Svengali, has entered the mythology of the time alongside Dracula and Sherlock Holmes.
Immensely popular for a number of years, the novel led to a hit play, a series of popular films, and the trilby hat.
The setting of the story reflects the author's bohemian years as an art student in Paris; indeed James McNeill Whistler was to recognize himself in one of the early serialized instalments.
George Du Maurier was a celebrated caricaturist for Punch magazine and his drawings for the novel form part of its appeal - this edition includes his most significant illustrations.
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Converting Trilby: Du Maurier on Englishness, Jewishness, and Culture
Converting Trilby: Du Maurier on Englishness, Jewishness, and Culture
At the heart of George Du Maurier's Trilby are juxtaposed attempts to convert the novel's heroine and namesake. On the one hand, there is Svengali, the Jewish musician and mesmeris...
Du Maurier, George
Du Maurier, George
George du Maurier (1834–96) was a Victorian illustrator, satirical cartoonist, and novelist. He published cartoons in such magazines as
The Graphic
,
...
The Woman in White: Whistler, Hiffernan, Courbet, Du Maurier
The Woman in White: Whistler, Hiffernan, Courbet, Du Maurier
This article examines the links among Whistler's epochal White Girl (1862), Courbet's infamous L'Origine du Monde (1866), and George Du Maurier's best-seller, Trilby (1894). The mo...
Ways of keeping love alive: Roland Barthes, George du Maurier, and Gilles Deleuze
Ways of keeping love alive: Roland Barthes, George du Maurier, and Gilles Deleuze
The article examines Barthes’s A Lover’s Discourse (1977) in conjunction with du Maurier’s Trilby (1894) in order to present an argument about the similarities they share with the ...
La musique et le mal : possession diabolique dans Trilby (1894) de George du Maurier et The Lost Stradivarius (1895) de John Falkner Meade
La musique et le mal : possession diabolique dans Trilby (1894) de George du Maurier et The Lost Stradivarius (1895) de John Falkner Meade
These two fin-de-siècle fantastic novels present music (opera-singing in Trilby and violin-playing in The Lost Stradivarius) as a supernatural agent enabling the singer or player t...
The Power of Stillness: John Barrymore’s Performance in Svengali
The Power of Stillness: John Barrymore’s Performance in Svengali
This essay examines the verbal and nonverbal characteristics of Barrymore’s performance as Svengali in the 1931 film of the same name. German Expressionism influences the art direc...

