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Album of illustrations of Hamzanama (The Adventures of Amir Hamza)

View through Harvard Museums
The album consists of four folios in accordion style, illustrating the stories of the Hamzanama. There are six paintings depicting five composite animals and seven winged female figures, and each painting has a caption in Persian. Each painting is highlighted with gold, red and blue. Each painting is remounted within two borders decorated with flowers on three sides. The style of the drawings and the decoration in the frames are consistent with Kashmiri manuscripts of the 18th century. The album has a red leather binding. Composite animals have a long history in the visual tradition of India and might have originated from Central Asia and Iran. In India, they typically appear as camels and horses, and most frequently as elephants, with their bodies inhibited by other animals. With some described as “magical” in the captions, the beasts in this album take on even more unusual, hybrid forms and some have multiple heads. But beyond the inscribed titles, little is known about these magical creatures and their meaning remains enigmatic.
Department of Islamic & Later Indian Art Ezzat-Malek Soudavar Geneva Switzerland (by 2014) by descent; to her son Abolala Soudavar Houston Texas (2014) loan; to Harvard Art Museums 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market. Harvard Art Museums/Arthur M. Sackler Museum Loan from A. Soudavar in memory of his mother Ezzat-Malek Soudavar
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Title: Album of illustrations of Hamzanama (The Adventures of Amir Hamza)
Description:
The album consists of four folios in accordion style, illustrating the stories of the Hamzanama.
There are six paintings depicting five composite animals and seven winged female figures, and each painting has a caption in Persian.
Each painting is highlighted with gold, red and blue.
Each painting is remounted within two borders decorated with flowers on three sides.
The style of the drawings and the decoration in the frames are consistent with Kashmiri manuscripts of the 18th century.
The album has a red leather binding.
Composite animals have a long history in the visual tradition of India and might have originated from Central Asia and Iran.
In India, they typically appear as camels and horses, and most frequently as elephants, with their bodies inhibited by other animals.
With some described as “magical” in the captions, the beasts in this album take on even more unusual, hybrid forms and some have multiple heads.
But beyond the inscribed titles, little is known about these magical creatures and their meaning remains enigmatic.

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