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Guruy Executes Siyavush (painting, recto; text, verso), folio from a manuscript of the Shahnama by Firdawsi
View through Harvard Museums
Succumbing to his own foreboding and the envy of his courtiers toward Siyavush, Afrasiyab eventually ordered the execution of the Iranian prince whom he had welcomed into his family. Happy to oblige the monarch, jealous Guruy cut the prince’s throat, catching his blood in a golden basin. Siyavush met death bravely, knowing that his wife Farangis would soon give birth to a son, Kay Khusraw, who would unite the lands of Turan and Iran under one crown.
While the text indicates that the execution took place in a wasteland outside Siyavush’s capital city, the illustration sets the scene within the confines of a palace crowded with figures, including an enthroned Afrasiyab, court officials, and Farangis, who is being seized as a captive. The illustration shows the dramatic moment when Siyavush’s blood gushes forth into the basin.
Department of Islamic & Later Indian Art
[Christies London 17 October 1995 lot no. 79]. [Mansour Gallery London before 1998] sold; to Stanford and Norma Jean Calderwood Belmont MA (by 1998-2002) gift; to Harvard Art Museums 2002.
Harvard Art Museums/Arthur M. Sackler Museum The Norma Jean Calderwood Collection of Islamic Art
Title: Guruy Executes Siyavush (painting, recto; text, verso), folio from a manuscript of the Shahnama by Firdawsi
Description:
Succumbing to his own foreboding and the envy of his courtiers toward Siyavush, Afrasiyab eventually ordered the execution of the Iranian prince whom he had welcomed into his family.
Happy to oblige the monarch, jealous Guruy cut the prince’s throat, catching his blood in a golden basin.
Siyavush met death bravely, knowing that his wife Farangis would soon give birth to a son, Kay Khusraw, who would unite the lands of Turan and Iran under one crown.
While the text indicates that the execution took place in a wasteland outside Siyavush’s capital city, the illustration sets the scene within the confines of a palace crowded with figures, including an enthroned Afrasiyab, court officials, and Farangis, who is being seized as a captive.
The illustration shows the dramatic moment when Siyavush’s blood gushes forth into the basin.
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