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The Mona Lisa Effect: Is ‘Our’ Lisa Fame or Fake?

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This demonstration uses one of the most famous human faces, the portrait of Mona Lisa, La Gioconda, by Leonardo da Vinci. Usually, we have a very accurate and stable representation of the exact configuration of such a familiar face. Typically, we are able to rapidly recognise even subtle configural changes. However, here we show that an exposure to specific alterations performed on a familiar face substantially reduces this ability even over a time period as long as 80 min. This demonstration illustrates the flexibility of the perceptual system and adaptation to new information.
Title: The Mona Lisa Effect: Is ‘Our’ Lisa Fame or Fake?
Description:
This demonstration uses one of the most famous human faces, the portrait of Mona Lisa, La Gioconda, by Leonardo da Vinci.
Usually, we have a very accurate and stable representation of the exact configuration of such a familiar face.
Typically, we are able to rapidly recognise even subtle configural changes.
However, here we show that an exposure to specific alterations performed on a familiar face substantially reduces this ability even over a time period as long as 80 min.
This demonstration illustrates the flexibility of the perceptual system and adaptation to new information.

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