Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Masses by Alessandro Scarlatti and Francesco Gasparini

View through CrossRef
The purpose of this edition is twofold: to make available to scholars and performers an unexplored repertoire by composers of the first rank, Alessandro Scarlatti and Francesco Gasparini, and at the same time to reveal the importance of the musical establishment at the basilica of Santa Maria Maggiore, Rome, with which they were associated. In the case of Scarlatti, who was chapel master of the basilica from 1707 to 1709, this volume adds to the small portion of his sacred music that is available in modern editions. Gasparini did not serve as chapel master of the basilica, but he had a very close relationship with it. From 1725 to 1727 he was master of the “Salve,” a private chapel of the Borghese family within the basilica. This volume is the very first to present sacred music of Gasparini in a modern edition.
A-R Editions
Title: Masses by Alessandro Scarlatti and Francesco Gasparini
Description:
The purpose of this edition is twofold: to make available to scholars and performers an unexplored repertoire by composers of the first rank, Alessandro Scarlatti and Francesco Gasparini, and at the same time to reveal the importance of the musical establishment at the basilica of Santa Maria Maggiore, Rome, with which they were associated.
In the case of Scarlatti, who was chapel master of the basilica from 1707 to 1709, this volume adds to the small portion of his sacred music that is available in modern editions.
Gasparini did not serve as chapel master of the basilica, but he had a very close relationship with it.
From 1725 to 1727 he was master of the “Salve,” a private chapel of the Borghese family within the basilica.
This volume is the very first to present sacred music of Gasparini in a modern edition.

Related Results

Giovanni d’Aragona (1456‒1485) szerepe Mátyás király mecénásságában
Giovanni d’Aragona (1456‒1485) szerepe Mátyás király mecénásságában
King Matthias Corvinus of Hungary (1458‒1490), son of the “Scourge of the Turks,” John Hunyadi, was a foremost patron of early Renaissance art. He was only fourteen years old in 14...
Learning to Eat French
Learning to Eat French
Abstract Ferguson’s Accounting for Taste reveals a gap in our understanding: How did French culinary discourse move beyond the bourgeois sphere in which it emerged i...
Music in pre-Reformation York: a new source and some thoughts on the York Masses
Music in pre-Reformation York: a new source and some thoughts on the York Masses
Ever since Hugh Baillie and Philippe Oboussier's pioneering study of York, Borthwick Institute MS Mus 1, better known as the York Masses, it has been generally accepted that its co...
Planet Formation
Planet Formation
Modern observational techniques are still not powerful enough to directly view planet formation, and so it is necessary to rely on theory. However, observations do give two importa...
3D Multispectral Imaging for Cultural Heritage Preservation: The Case Study of a Wooden Sculpture of the Museo Egizio di Torino
3D Multispectral Imaging for Cultural Heritage Preservation: The Case Study of a Wooden Sculpture of the Museo Egizio di Torino
Digitalization techniques, such as photogrammetry (PG), are attracting the interest of experts in the cultural heritage field, as they enable the creation of three-dimensional virt...
GABRIEL BASCONES DE LA CRUZ: FRANCESCO VENEZIA, JOHN HEJDUK Y EL ARTE DE LA MEMORIA
GABRIEL BASCONES DE LA CRUZ: FRANCESCO VENEZIA, JOHN HEJDUK Y EL ARTE DE LA MEMORIA
El manuscrito es una reseña bibliográfica que expone la importancia, en el discurso arquitectónico, del libro titulado Francesco Venezia, John Hejduk y el arte de la memoria, escri...
First person – Francesco Chiani and Tiziana Orsini
First person – Francesco Chiani and Tiziana Orsini
ABSTRACT First Person is a series of interviews with the first authors of a selection of papers published in Disease Models & Mechanisms (DMM), helping early-car...
The Cinema of Francesco Rosi, Gaetana Marrone (2020)
The Cinema of Francesco Rosi, Gaetana Marrone (2020)
Review of: The Cinema of Francesco Rosi, Gaetana Marrone (2020)New York: Oxford University Press, 343 pp.,ISBN 978-0-19088-564-9, p/bk, $39.95...

Back to Top