Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Nikolai Sverchkov as an artist-animal painter, genre painter and portraitist (1817-1898)

View through CrossRef
Николай Егорович (Георгиевич) Сверчков (1817 – 1898) – один из ранних представителей реалистической жанровой живописи. В своих картинах он запечатлел природу России, с ее величественными лесами и необъятными полями, бесконечными дорогами и проселками. Н.Е. Сверчков впервые в русском искусстве развил мотив удалой «птицы-тройки», с образом которой народ связывал свои мечты о лучшей, свободной жизни. Творчество художника многообразно. Он писал не только жанровые, но и исторические и батальные полотна, занимался скульптурой. Редкого мастерства Н.Е. Сверчков достиг в изображении животных, особенно лошадей. Его дорожные сцены, картины охоты, конные портреты сыграли видную роль в истории русской живописи. Nikolai Yegorovich (Georgievich) Sverchkov (1817-1898) was one of the early representatives of the realist genre painting. In his paintings he captured the nature of Russia, with its majestic forests and vast fields, endless roads and country roads. N.E. Sverchkov for the first time in Russian art has developed the motif of daring "bird-Troika", with the image which the people placed their dreams of a better, free life. The artist's work in many ways. He did not write both genre and historical and battle paintings, studied sculpture. Rare skill N.E. Sverchkov have achieved in the depiction of animals, especially horses. His travel scenes, hunting paintings, horse portraits played a prominent role in the history of Russian painting.
Title: Nikolai Sverchkov as an artist-animal painter, genre painter and portraitist (1817-1898)
Description:
Николай Егорович (Георгиевич) Сверчков (1817 – 1898) – один из ранних представителей реалистической жанровой живописи.
В своих картинах он запечатлел природу России, с ее величественными лесами и необъятными полями, бесконечными дорогами и проселками.
Н.
Е.
 Сверчков впервые в русском искусстве развил мотив удалой «птицы-тройки», с образом которой народ связывал свои мечты о лучшей, свободной жизни.
Творчество художника многообразно.
Он писал не только жанровые, но и исторические и батальные полотна, занимался скульптурой.
Редкого мастерства Н.
Е.
 Сверчков достиг в изображении животных, особенно лошадей.
Его дорожные сцены, картины охоты, конные портреты сыграли видную роль в истории русской живописи.
Nikolai Yegorovich (Georgievich) Sverchkov (1817-1898) was one of the early representatives of the realist genre painting.
In his paintings he captured the nature of Russia, with its majestic forests and vast fields, endless roads and country roads.
N.
E.
 Sverchkov for the first time in Russian art has developed the motif of daring "bird-Troika", with the image which the people placed their dreams of a better, free life.
The artist's work in many ways.
He did not write both genre and historical and battle paintings, studied sculpture.
Rare skill N.
E.
 Sverchkov have achieved in the depiction of animals, especially horses.
His travel scenes, hunting paintings, horse portraits played a prominent role in the history of Russian painting.

Related Results

Electric Animal An Interview with Akira Mizuta Lippit & (untitled photographs)
Electric Animal An Interview with Akira Mizuta Lippit & (untitled photographs)
Dr. Akira Mizuta Lippit, author of Electric Animal: Toward a Rhetoric of Wildlife, explores, in the context of the development of cinema, how the concept of “the animal” has become...
Violin miniature in creativity by Liudmila Shukailo: features of the genre interpretation
Violin miniature in creativity by Liudmila Shukailo: features of the genre interpretation
Background. Rapidness of information flows of contemporary life enforces to concentrate a significant amount of information in small formats. This fact meaningfully increases socia...
Animal welfare in Europe and Iran: policy perspective and society
Animal welfare in Europe and Iran: policy perspective and society
Intensive animal production systems are compromising current animal welfare standards. Societies' growing concerns regarding how animals are raised have resulted in continuous poli...
Žanrovska analiza pomorskopravnih tekstova i ostvarenje prijevodnih univerzalija u njihovim prijevodima s engleskoga jezika
Žanrovska analiza pomorskopravnih tekstova i ostvarenje prijevodnih univerzalija u njihovim prijevodima s engleskoga jezika
Genre implies formal and stylistic conventions of a particular text type, which inevitably affects the translation process. This „force of genre bias“ (Prieto Ramos, 2014) has been...
Psychology of Nikolai Gogol
Psychology of Nikolai Gogol
The article first considers the heritage specifics of Nikolai Gogol as a satirist from the point of view of the writer’s psychology. The close connection of psychology and satire i...
Genre Convergence in Contemporary Drama
Genre Convergence in Contemporary Drama
The article is devoted to genre convergence as one of the most widespread varieties of genre transformations in drama at the border of the 20th – 21st centuries. As genre convergen...
Jaipongan: Genre Tari Generasi Ketiga dalam Perkembangan Seni Pertunjukan Tari Sunda
Jaipongan: Genre Tari Generasi Ketiga dalam Perkembangan Seni Pertunjukan Tari Sunda
ABSTRAK Seni pertunjukan tari Sunda hingga saat ini telah diisi dengan tiga genre tari yang diciptakan oleh tiga tokoh pembaharu tari Sunda, yaitu Rd. Sambas Wirakusumah yang menci...

Back to Top