Master I.A.M. of Zwolle, The Betrayal of Christ (ca. 1485)

Christ holding the cross was a motif that El Greco derived from the narrative of Christ’s Passion, creating an isolated image that seems to have been extremely popular with his cli...

It was Friedländer who established the artistic personality of this anonymous artist working in Delft, and attributed the first group of works to his name. Taking his reference poi...

The present canvas is signed and dated “Jusepe de Ribera español 1633” on the stone at the lower right corner, a formula used by the artist throughout the 1630s and to which on occ...

The present canvas is signed and dated “Jusepe de Ribera español 1633” on the stone at the lower right corner, a formula used by the artist throughout the 1630s and to which on occ...

This panel of the Virgin and Child is the oldest painting in the Thyssen-Bornemisza collection. Its attribution to the Master of the Magdalen was made by Evelyn Sandberg-Vavalà and...