El lenguaje de la burla en Quevedo y su relación con el entremés de Quiñones de Benavente

As Ignacio Arellano’s Poesía satírica y burlesca de Quevedo demonstrates, the relationship between burlesque vocabulary and the post-Cervantine entremés is highly productive. A significant part of the vocabulary that characterizes this type of Quevedo’s poetry reappears in entremeses, bailes, jácaras, and mojigangas, particularly in the works by Luis Quiñones de Benavente (1581–1651). Quevedo’s influence is especially notable, as the aforementioned author highlights, emphasizing the entremés’s debt to Quevedo’s poetry.