Javascript must be enabled to continue!
Niccolo Machiavelli
View through CrossRef
As he suggests in a justly famous letter written to a friend in 1513, Niccolò Machiavelli (b. 1469–d. 1527) lived most fully when he communed in thought with the great ancient writers on the greatest deeds of Antiquity—and in succeeding centuries he continued to live on in the thoughts and through the writings of such great thinkers as Spinoza and Tocqueville; Marlowe and Shakespeare, Fichte and Nietzsche, not to mention indirectly in the deeds of Cromwell, Robespierre, Mazzini, and Lenin. Machiavelli comes to us wrapped in this diverse and contested tradition but also and more immediately in the garb of contemporary scholarship, where diversity and contestation abound, as well. One thing all scholarly parties can agree on is that the Florentine was vastly important—be it as a preeminent expression of the cyclonic intellectual activity of a time we now call the Renaissance, as the restorer of classical republican ideals, the founder of the modern world, the apostle of power politics, or the father of modern revolutionary thought. Born at a time of relative stability for Italy due in no small part to the successful machinations of Florence’s Medici rulers, Machiavelli’s young adulthood saw the stability vanish with the invasion of Italy by the French and the expulsion from Florence of the Medici. By 1498 he found himself serving the republican government of Florence that, in 1512, was itself brought down, leading to Machiavelli’s political banishment and to the writing of the works that would cause him to be counted among the greatest figures of the Renaissance and of the intellectual history of the Western world.
Title: Niccolo Machiavelli
Description:
As he suggests in a justly famous letter written to a friend in 1513, Niccolò Machiavelli (b.
1469–d.
1527) lived most fully when he communed in thought with the great ancient writers on the greatest deeds of Antiquity—and in succeeding centuries he continued to live on in the thoughts and through the writings of such great thinkers as Spinoza and Tocqueville; Marlowe and Shakespeare, Fichte and Nietzsche, not to mention indirectly in the deeds of Cromwell, Robespierre, Mazzini, and Lenin.
Machiavelli comes to us wrapped in this diverse and contested tradition but also and more immediately in the garb of contemporary scholarship, where diversity and contestation abound, as well.
One thing all scholarly parties can agree on is that the Florentine was vastly important—be it as a preeminent expression of the cyclonic intellectual activity of a time we now call the Renaissance, as the restorer of classical republican ideals, the founder of the modern world, the apostle of power politics, or the father of modern revolutionary thought.
Born at a time of relative stability for Italy due in no small part to the successful machinations of Florence’s Medici rulers, Machiavelli’s young adulthood saw the stability vanish with the invasion of Italy by the French and the expulsion from Florence of the Medici.
By 1498 he found himself serving the republican government of Florence that, in 1512, was itself brought down, leading to Machiavelli’s political banishment and to the writing of the works that would cause him to be counted among the greatest figures of the Renaissance and of the intellectual history of the Western world.
Related Results
TEKNIK PERMAINAN LEFT HAND PIZZICATO PADA KARYA NEL COR PIU NON MI SENTO ARANSEMEN NICCOLO PAGANINI UNTUK VIOLIN BAGIAN TEMA
TEKNIK PERMAINAN LEFT HAND PIZZICATO PADA KARYA NEL COR PIU NON MI SENTO ARANSEMEN NICCOLO PAGANINI UNTUK VIOLIN BAGIAN TEMA
Nel Cor Piu Non Mi Sento Aransemen Niccolo Paganini menjadi salah satu karya masterpiece dari Niccolo Paganini. Karya ini memiliki sepuluh bagian, salah satunya adalah Tema yang te...
ANALISIS TEKNIK PERMAINAN BIOLA PADA LAGU INTRODUZIONE E VARIAZIONI SUL TEMA NEL COR PIU NON MI SENTO PER VIOLIN SOLO KARYA NICCOLO PAGANINI
ANALISIS TEKNIK PERMAINAN BIOLA PADA LAGU INTRODUZIONE E VARIAZIONI SUL TEMA NEL COR PIU NON MI SENTO PER VIOLIN SOLO KARYA NICCOLO PAGANINI
Abstrak Nel Cor Piu Non Mi Sento merupakan sebuah komposisi karya Giovani Paisiello, seorang komposer berpengaruh dan populer pada akhir 1700an di Italia. Lagu tersebut kemudian di...
Guest Editors’ Introduction: Philosophical Approaches to Leadership Ethics II: Perspectives on the Self and Responsibility to Others
Guest Editors’ Introduction: Philosophical Approaches to Leadership Ethics II: Perspectives on the Self and Responsibility to Others
ABSTRACT:This article introduces the second of two special issues on philosophical approaches to leadership ethics. In this issue, the articles draw on the works of Plato, Niccolò ...
Joseph Benesch: A Forgotten Bohemian Violinist and an Imitator of Niccolò Paganini Within the Central European Violinistic Tradition
Joseph Benesch: A Forgotten Bohemian Violinist and an Imitator of Niccolò Paganini Within the Central European Violinistic Tradition
Joseph Benesch (1795–1873) was among the earliest violin virtuosos to become imitators of the famous Niccolò Paganini, whom he met in Trieste as early as 1824. He was active in Lju...
Niccolo Paganini: Life, illnes and virtuosity
Niccolo Paganini: Life, illnes and virtuosity
Niccolo Pagani was born in Genoa, October 27, 1782, and died May 27, 1840.
He was an Italian composer considered one of the archetypes of violin virtuosity and one of the greatest ...
Teknik Permainan dan Bentuk Musik Pada Komposisi Caprice No.21, Op.1 Karya Niccolo Paganini
Teknik Permainan dan Bentuk Musik Pada Komposisi Caprice No.21, Op.1 Karya Niccolo Paganini
Dalam kehidupan, dipastikan bahwa tidak terlepas dengan sebuah kesenian. Entah hanya sekedar sebagai penikmat, pencipta atau yang lainnya. Salah satunya musik, dengan bunyi sebagai...
Formation of romantic instrumental performance and violin art of Niccolo Paganini
Formation of romantic instrumental performance and violin art of Niccolo Paganini
The article analyzes the features of formation of instrumental performance of the romantic period and the main factors of this process revealed on the example of Niccolo Paganini’s...
Luigi Pulci and Late Fifteenth-Century Humanism in Florence
Luigi Pulci and Late Fifteenth-Century Humanism in Florence
It is a commonly expressed belief that all thinkers, writers, and poets of the fifteenth and sixteenth centuries must be regarded as humanists. Such notable scholars as Walser, Pas...