Javascript must be enabled to continue!
Sarah Kemble Knight
View through CrossRef
Travel writings document exploration and journeys for various audiences and different reasons. For the explorer, writing to a benefactor or investor with details about climate, people, and resources was central for assessing trade and colonization potential. In colonial America, travel writings were not usually intended for publication but were instead shared with family, friends, and colleagues for their entertainment and information about their journeys. In each instance, travel literatures were written mostly by men whose professions required travel, such as explorers, merchants, doctors, ministers, and lawyers. Unless relocating or visiting family, women were less likely to venture out beyond their own towns. One significant exception is Sarah Kemble Knight, who traveled on horseback from Boston to New Haven “being about two Hundred Mile,” as she notes, to attend the settling of her cousin Caleb Trowbridge’s estate on behalf of his widow. Knight departed Boston around three o’clock in the afternoon on Monday, 2 October 1704, for a five-month, roundtrip journey. She was thirty-eight-years old. Her mother and her fifteen-year-old daughter, Elizabeth, remained in Boston, and her husband Richard Knight, a shipmaster, was abroad. Along the way, Knight chronicled her observations about road and weather conditions, food and accommodations, and people and customs. She followed a route from Boston to New Haven that was later named the Boston Post Road. Knight’s relative Captain Robert Luist accompanied her on the first dozen miles to Dedham. In a two-week break in the negotiations, she visited New York accompanied by Thomas Trowbridge, Caleb’s father. Otherwise, Knight either hired male guides along the way or traveled alone. With Boston as her cultural center, Knight often employed the comparative mode, another characteristic of travel writing, whereby she evaluated her surroundings and the people she met against her Bostonian standards. Knight’s descriptions were at times comical, if not outright caricatures, and her remarks could be caustic and demeaning. There are also moments of self-reflection as when she met an impoverished family and recorded her observations in prose and poetry. The journal remained in manuscript until 1825 when Theodore Dwight Jr. transcribed Knight’s manuscript and published it in The Journals of Madam Knight, and Rev. Mr. Buckingham, from the Original Manuscripts, written in 1704 and 1710. The address of “Madam Knight” has been attributed to her social class and stature, as well as to her position as a schoolteacher, one of her many occupations, including shopkeeper, innkeeper, and copyist of legal documents. Sarah Kemble Knight returned home on 3 March 1705 to an enthusiastic group of family and friends.
Title: Sarah Kemble Knight
Description:
Travel writings document exploration and journeys for various audiences and different reasons.
For the explorer, writing to a benefactor or investor with details about climate, people, and resources was central for assessing trade and colonization potential.
In colonial America, travel writings were not usually intended for publication but were instead shared with family, friends, and colleagues for their entertainment and information about their journeys.
In each instance, travel literatures were written mostly by men whose professions required travel, such as explorers, merchants, doctors, ministers, and lawyers.
Unless relocating or visiting family, women were less likely to venture out beyond their own towns.
One significant exception is Sarah Kemble Knight, who traveled on horseback from Boston to New Haven “being about two Hundred Mile,” as she notes, to attend the settling of her cousin Caleb Trowbridge’s estate on behalf of his widow.
Knight departed Boston around three o’clock in the afternoon on Monday, 2 October 1704, for a five-month, roundtrip journey.
She was thirty-eight-years old.
Her mother and her fifteen-year-old daughter, Elizabeth, remained in Boston, and her husband Richard Knight, a shipmaster, was abroad.
Along the way, Knight chronicled her observations about road and weather conditions, food and accommodations, and people and customs.
She followed a route from Boston to New Haven that was later named the Boston Post Road.
Knight’s relative Captain Robert Luist accompanied her on the first dozen miles to Dedham.
In a two-week break in the negotiations, she visited New York accompanied by Thomas Trowbridge, Caleb’s father.
Otherwise, Knight either hired male guides along the way or traveled alone.
With Boston as her cultural center, Knight often employed the comparative mode, another characteristic of travel writing, whereby she evaluated her surroundings and the people she met against her Bostonian standards.
Knight’s descriptions were at times comical, if not outright caricatures, and her remarks could be caustic and demeaning.
There are also moments of self-reflection as when she met an impoverished family and recorded her observations in prose and poetry.
The journal remained in manuscript until 1825 when Theodore Dwight Jr.
transcribed Knight’s manuscript and published it in The Journals of Madam Knight, and Rev.
Mr.
Buckingham, from the Original Manuscripts, written in 1704 and 1710.
The address of “Madam Knight” has been attributed to her social class and stature, as well as to her position as a schoolteacher, one of her many occupations, including shopkeeper, innkeeper, and copyist of legal documents.
Sarah Kemble Knight returned home on 3 March 1705 to an enthusiastic group of family and friends.
Related Results
Plasma AR Alterations and Timing of Intensified Hormone Treatment for Prostate Cancer
Plasma AR Alterations and Timing of Intensified Hormone Treatment for Prostate Cancer
This randomized clinical trial explores whether hormone intensification at start of androgen deprivation therapy alters selection of androgen receptor (AR) gene alterations within ...
"Playing the Men": Ellen Tree, Fanny Kemble, and Theatrical Constructions of Gender
"Playing the Men": Ellen Tree, Fanny Kemble, and Theatrical Constructions of Gender
Ellen Tree, the first English performer to regularly play tragic male roles, initiated a nineteenth-century Anglo-American convention in which many women performers played a limite...
Intravenous Vitamin C for Patients Hospitalized With COVID-19
Intravenous Vitamin C for Patients Hospitalized With COVID-19
ImportanceThe efficacy of vitamin C for hospitalized patients with COVID-19 is uncertain.ObjectiveTo determine whether vitamin C improves outcomes for patients with COVID-19.Design...
Effect of Angiotensin-Converting Enzyme Inhibitor and Angiotensin Receptor Blocker Initiation on Organ Support–Free Days in Patients Hospitalized With COVID-19
Effect of Angiotensin-Converting Enzyme Inhibitor and Angiotensin Receptor Blocker Initiation on Organ Support–Free Days in Patients Hospitalized With COVID-19
IMPORTANCE
Overactivation of the renin-angiotensin system (RAS) may contribute to poor clinical outcomes in patients with COVID-19.
...
Long-term (180-Day) Outcomes in Critically Ill Patients With COVID-19 in the REMAP-CAP Randomized Clinical Trial
Long-term (180-Day) Outcomes in Critically Ill Patients With COVID-19 in the REMAP-CAP Randomized Clinical Trial
Importance
The longer-term effects of therapies for the treatment of critically ill patients with COVID-19 are unknown.
...
Mr. Kemble’s King John
Mr. Kemble’s King John
We wish we had never seen Mr. Kean. He has destroyed the Kemble religion; and it is the religion in which we were brought up. Never again shall we behold Mr. Kemble with the same p...
Genomic reconstruction of the SARS-CoV-2 epidemic in England
Genomic reconstruction of the SARS-CoV-2 epidemic in England
Abstract
The evolution of the severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2) virus leads to new variants that warrant timely epidemiological charact...
[1789-c.1817], Sir Walter Scott (1771-1832) on John Philip Kemble (1757-1823) as Macbeth (pp. 218-19) and on Coriolanus’ death scene (p. 224); from Scott’s review of James Boaden’s
Memoirs of the Life of John Philip Kemble,
[1789-c.1817], Sir Walter Scott (1771-1832) on John Philip Kemble (1757-1823) as Macbeth (pp. 218-19) and on Coriolanus’ death scene (p. 224); from Scott’s review of James Boaden’s
Memoirs of the Life of John Philip Kemble,
Abstract
John Philip Kemble, actor, manager, and play adapter, was the leading figure of the English theatre between the death of Garrick and the emergence of Edm...

