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Pen Box with Erotic Scenes in Medallions on Floral Ground
View through Harvard Museums
Cover and lid with rounded ends. The top is decorated in horizontal format, with five small lobed medallions containing erotic imagery superimposed on floating blossoms, the whole set against a gold background. The sides are nearly identical, each bearing a symmetrical pattern of clumps of red and purple flowers springing from the ground line, against a light brown background. The inner lid, also in horizontal format, features a leafy plant, rooted at the center with branches extending to the ends of the lid. On the base, floral and foliate motifs are painted on a red background.
The signature and date (painted on the inner lid), places the work in the mid-eighteenth century, but the figural imagery appears to be Qajar, to judge from the few elements of clothing.
Department of Islamic & Later Indian Art
Ezzat-Malek Soudavar Geneva Switzerland (by 2014) by descent; to her son Abolala Soudavar Houston Texas (2014) gift; to Harvard Art Museums 2014.
Note:
Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Harvard Art Museums/Arthur M. Sackler Museum Gift of A. Soudavar in memory of his mother Ezzat-Malek Soudavar
Title: Pen Box with Erotic Scenes in Medallions on Floral Ground
Description:
Cover and lid with rounded ends.
The top is decorated in horizontal format, with five small lobed medallions containing erotic imagery superimposed on floating blossoms, the whole set against a gold background.
The sides are nearly identical, each bearing a symmetrical pattern of clumps of red and purple flowers springing from the ground line, against a light brown background.
The inner lid, also in horizontal format, features a leafy plant, rooted at the center with branches extending to the ends of the lid.
On the base, floral and foliate motifs are painted on a red background.
The signature and date (painted on the inner lid), places the work in the mid-eighteenth century, but the figural imagery appears to be Qajar, to judge from the few elements of clothing.
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