Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
The Sea-Fairies, Opus 59
View through CrossRef
Over a third of the output of Amy Beach (1867–1944) is music for chorus, including sacred and secular works with accompaniment and for a capella performance. She also wrote music for choral societies and clubs. Along with two other works for chorus and orchestra commissioned by choral societies (The Rose of Avon-Town [1896] and The Chambered Nautilus [1907]), The Sea-Fairies, composed and orchestrated in 1904, exhibits Beach's great craftsmanship in scoring for women's voices and in setting poetry. This single-movement cantata for four-part women's chorus, three soloists, orchestra, and harp is an elegant setting of The Sea-Fairies by Alfred, Lord Tennyson. Beach's colorful orchestration and melodious vocal writing portray the lure of the sirens from Homer's Odyssey. This edition makes the full score available for the first time.
Title: The Sea-Fairies, Opus 59
Description:
Over a third of the output of Amy Beach (1867–1944) is music for chorus, including sacred and secular works with accompaniment and for a capella performance.
She also wrote music for choral societies and clubs.
Along with two other works for chorus and orchestra commissioned by choral societies (The Rose of Avon-Town [1896] and The Chambered Nautilus [1907]), The Sea-Fairies, composed and orchestrated in 1904, exhibits Beach's great craftsmanship in scoring for women's voices and in setting poetry.
This single-movement cantata for four-part women's chorus, three soloists, orchestra, and harp is an elegant setting of The Sea-Fairies by Alfred, Lord Tennyson.
Beach's colorful orchestration and melodious vocal writing portray the lure of the sirens from Homer's Odyssey.
This edition makes the full score available for the first time.
Related Results
Sea Level, Surface Salinity of the Japan Sea, and the Younger Dryas Event in the Northwestern Pacific Ocean
Sea Level, Surface Salinity of the Japan Sea, and the Younger Dryas Event in the Northwestern Pacific Ocean
AbstractThe Japan Sea was profoundly different during glacial times than today. Available δ18O evidence indicates that sea surface salinity was lower by several per mil. This proba...
Late- and Postglacial Sea-Level Change and Paleoenvironments in the Oder Estuary, Southern Baltic Sea
Late- and Postglacial Sea-Level Change and Paleoenvironments in the Oder Estuary, Southern Baltic Sea
AbstractKnowledge of sea-level change in the southern Baltic Sea region is important for understanding the variations in late Pleistocene and Holocene sea-level change across north...
Should Quaternary sea-level changes be used to correct glacier ELAS, vegetation belt altitudes and sea level temperatures for inferring climate changes?
Should Quaternary sea-level changes be used to correct glacier ELAS, vegetation belt altitudes and sea level temperatures for inferring climate changes?
AbstractChanges in the altitudes of glacier snowlines (ELAs) and the altitudes of montane vegetation belts (VBAs) measure Quaternary climatic change. An accepted ‘correction’ to su...
Fairies and Gnomes: A Photographic Re-Enchantment of the World
Fairies and Gnomes: A Photographic Re-Enchantment of the World
Conan Doyle wrote a book about photographs of fairies, The Coming of the Fairies, which involves something different than matters of the spirit, since Conan Doyle was convinced tha...
On The Origins Of Fairies
On The Origins Of Fairies
Abstract
In 1846, WILLIAM JOHN THOMS, who contributed the term folklore to the English language, commented in The Athenaeum that “belief in fairies is by no means ex...
Beethoven à la moujik:
Beethoven à la moujik:
Beethoven's treatments of the Russian folksongs in the “Razumovsky” String Quartets, Op. 59, nos. 1 and 2, have long elicited sharp criticism. A closer look at these treatments all...
O contexto de produção e recepção dos quartetos opus 10 de W. A. Mozart
O contexto de produção e recepção dos quartetos opus 10 de W. A. Mozart
Este artigo recupera informações e busca restabelecer inter-relações entre compositores, obras, agentes e forças sociais direta ou indiretamente atuantes nos contextos de produção ...
The transition within the transition: the Übergang from the Selbstsetzungslehre to the ether proofs in Kant’s Opus postumum
The transition within the transition: the Übergang from the Selbstsetzungslehre to the ether proofs in Kant’s Opus postumum
Abstract
Recent literature on Kant’s Opus postumum has typically focused on two parts of the drafts: the ether proofs and the Selbstsetzungslehre. Eckart Förster’s interpretation i...