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Putting Phenomenology Back into Phenomenology
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This is a review of Michael van Manen's & Max van Manen's (Eds.) Classic Writing for a Phenomenology of Practice, published by Routledge.
Title: Putting Phenomenology Back into Phenomenology
Description:
This is a review of Michael van Manen's & Max van Manen's (Eds.
) Classic Writing for a Phenomenology of Practice, published by Routledge.
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Dasein and the Question of the Heterogenous Film Viewer: A Commentary on Loht’s Heideggerian Phenomenology of Film
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In response to Shawn Loht’s 2017 project delineating a Heideggerian phenomenology of film, Phenomenology of Film: A Heideggerian Account of the Film Experience, I examine how produ...
Doing Phenomenological Research and Writing
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Peter Larkin: Poetry, Phenomenology, and Ecology
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This editorial introduces the special issue based on the proceedings of the symposium ‘Peter Larkin: Poetry, Phenomenology, and Ecology’ which took place at the University of Warwi...
Portraiture under Epoché: Matisse According to Husserl
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Abstract
The article considers a range of issues in Henri Matisse’s art from around 1906 through the lens of Edmund Husserl’s theory of the image: the treatment of l...
Other Sides
Other Sides
Maurice Merleau-Ponty’s existential phenomenology has been crucial to contemporary film-phenomenology, yet his later thought has not received the same attention. Drawing on “Eye an...
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What is the American Sublime? Ruminations on Peircian Phenomenology and the Paintings of Barnett Newman
What is the American Sublime? Ruminations on Peircian Phenomenology and the Paintings of Barnett Newman
I argue that a fruitful approach to exploring the significance of the abstract expressionist Barnett Newman’s body of work, understood as as an attempt to “paint the sublime,” is b...