Landscape with the Temptation of Christ

Christ holding the cross was a motif that El Greco derived from the narrative of Christ’s Passion, creating an isolated image that seems to have been extremely popular with his cli...

The present canvas is signed and dated “Jusepe de Ribera español 1633” on the stone at the lower right corner, a formula used by the artist throughout the 1630s and to which on occ...

The present canvas is signed and dated “Jusepe de Ribera español 1633” on the stone at the lower right corner, a formula used by the artist throughout the 1630s and to which on occ...

Made up of fragments from a late Anglo-Saxon liturgical chant book, the Caligula Troper's illuminations introduce songs which would be inserted into the mass on special feast days ...

This panel of The Temptation of Saint Anthony has been in the Collection since 1928. The only previous known owner is Hans Wendland, in whose collection it was to be found in Basel...

It was Friedländer who established the artistic personality of this anonymous artist working in Delft, and attributed the first group of works to his name. Taking his reference poi...

“The whole landscape, which, seen by a favourable light, and in a genial temperature, had been found so lovely, appeared now like some pictured allegory of life, in which objects w...