Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Chopin and Jews

View through CrossRef
This chapter illustrates Chopin's invocation of the word Jew, in contexts that often go beyond the purely descriptive and instead verge into invective and abuse. In a correspondence that otherwise portrays a sympathetic and imaginative individual, an overview of his use of “Jew” reveals something else entirely: something repulsive, bitter, and distressing. For advocates of Chopin's music, the common reactions to these outbursts are to ignore them, to make excuses, or to find ways to bracket off the invective from his sounding creations. Yet it will not really do to avert scholars' attention: not only do basic principles of biographical honesty compel them to think in a sustained way about Chopin's anti-Judaism, it is also possible that his tirades tell something about his creative life.
Princeton University Press
Title: Chopin and Jews
Description:
This chapter illustrates Chopin's invocation of the word Jew, in contexts that often go beyond the purely descriptive and instead verge into invective and abuse.
In a correspondence that otherwise portrays a sympathetic and imaginative individual, an overview of his use of “Jew” reveals something else entirely: something repulsive, bitter, and distressing.
For advocates of Chopin's music, the common reactions to these outbursts are to ignore them, to make excuses, or to find ways to bracket off the invective from his sounding creations.
Yet it will not really do to avert scholars' attention: not only do basic principles of biographical honesty compel them to think in a sustained way about Chopin's anti-Judaism, it is also possible that his tirades tell something about his creative life.

Related Results

Józef Sikorski’s “Recollection of Chopin”: The Earliest Essay on Chopin and His Music
Józef Sikorski’s “Recollection of Chopin”: The Earliest Essay on Chopin and His Music
This chapter focuses on “Recollection of Chopin” by Józef Sikorski, the earliest extended essay on the composer's life and works. The author's emotional language captures the immed...
Chopin and the Consequences of Exile
Chopin and the Consequences of Exile
This chapter examines how Chopin was seen both as an exile who was quite at home in Paris as well as the authentic voice of a nation. Since Chopin was cut off from his homeland, he...
Chopin Among the Pianists in Paris
Chopin Among the Pianists in Paris
This chapter demonstrates how, while in the French capital, Chopin immersed himself in the world of opera and developed friendships with numerous opera stars. The French grand opér...
The riddle of Jewish radicalism
The riddle of Jewish radicalism
Rooted in different perspectives – in curiosity, prejudice, pride, fear or shame – the question of Jewish radicalism continues to be highly explosive even in out days. Being the se...
“Jews, Be Ottomans!” Zionism, Ottomanism, and Ottomanisation in the Hebrew-Language Press, 1890–1914
“Jews, Be Ottomans!” Zionism, Ottomanism, and Ottomanisation in the Hebrew-Language Press, 1890–1914
In recent years the study of national and civic identities in the later Ottoman period has revealed huge degrees of complexity among previously homogenised groups, none more so tha...
Chopin and Improvisation
Chopin and Improvisation
This chapter talks about how the conventional practices and values of classical performance today differ radically from those of Chopin's musical world. Perhaps the most fundamenta...
The Missionizing Marketplace
The Missionizing Marketplace
Chapter 2 uses the story of the convert from Judaism turned missionary Alexander Alekseev to highlight the overall reactive missionary policy of the state and the Orthodox Church w...
Analisis Teknik Permainan Gitar Klasik Karya Frederich Chopin: Nocturne In E-Flat Major Op.9 No.2
Analisis Teknik Permainan Gitar Klasik Karya Frederich Chopin: Nocturne In E-Flat Major Op.9 No.2
This study aims to determine how the song nocturne in e-flat major op 9 no 2 by Fredrich Chopin is technically expressed through the classical guitar playing by Francisco Tarrega. ...

Back to Top