Տիտղոսաթերթերի գեղարվեստական ձևավորումները Թորոս Տարոնացու արվեստում (1307թ․ Եսայի Նչեցու Ավետարան)

The article is dedicated to the title pages by Toros Taronatsi, a miniaturist of the first half of the XIV century of Gladzor University. Many authors, such as S. Ter-Nersesyan, L. Durnovo, A. Avetisyan, E. Korkhmazyan, V. Ghazaryan, speaking about the Gladzor School of miniature, in their works referred to the art of Toros Taronatsi:. But his legacy has not been thoroughly explored to this day yet. Our choice fell on studying the art of Taronatsi for this very reason. The artist's art is interesting and attractive because it reflects the traditions of various schools miniature painting. The main objective of the article is the analysis of the main components that make up the title pages illustration system: rectangular illuminations, titles, initials, rubrics, marginals. The study used complex methods of artistic analysis. Studying the title pages of Taronatsi, we came to the conclusion, that there is an Armenian pre-Cilician and Cilician elements in the work of the master. Drawing parallels with the Cilician manuscripts, we made sure that the title pages contain especially Roslin elements. Comparison of the works by Toros Taronatsi and Toros Roslin allows us to call them “two brilliant Toroses” of medieval Armenian art.