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The Theatrical World of Michel de Ghelderode
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The recent death of Ghelderode has awakened renewed interest in his drama. One of the most astounding figures in the contemporary theatre (a theatre full of astounding figures), his work is characterized by such bizarre aspects as fetishism, living dead men, leaps through time, devils, sorcerers, ghosts, grinning buffoons, legendary heroes stubbornly destroying their legend, historical characters denying the facts of their history, philosophical drunkards, and death as a character in farce.Obsessed by a universe of dark forces in endless ferment, he saw evil and damnation everywhere. Plagued by them, it did not occur to him to attack them with righteous wrath, as did Calderón and Tirso de Molina, the priest-playwrights of the Golden Age of Spanish drama. In Ghelderode's works the devil is alive and active. Moreover, if one probes beneath his anxiety, one finds a certain satisfaction, a feeling of tenderness and amusement.
Title: The Theatrical World of Michel de Ghelderode
Description:
The recent death of Ghelderode has awakened renewed interest in his drama.
One of the most astounding figures in the contemporary theatre (a theatre full of astounding figures), his work is characterized by such bizarre aspects as fetishism, living dead men, leaps through time, devils, sorcerers, ghosts, grinning buffoons, legendary heroes stubbornly destroying their legend, historical characters denying the facts of their history, philosophical drunkards, and death as a character in farce.
Obsessed by a universe of dark forces in endless ferment, he saw evil and damnation everywhere.
Plagued by them, it did not occur to him to attack them with righteous wrath, as did Calderón and Tirso de Molina, the priest-playwrights of the Golden Age of Spanish drama.
In Ghelderode's works the devil is alive and active.
Moreover, if one probes beneath his anxiety, one finds a certain satisfaction, a feeling of tenderness and amusement.
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Michel de Ghelderode: A Personal Statement
Michel de Ghelderode: A Personal Statement
The masks Ghelderode wore for the world were in many ways unfortunate because they alienated him from his contemporaries. His weird poses frightened many admirers away, denying the...
Our Man in the Sixteenth Century: Michel de Ghelderode
Our Man in the Sixteenth Century: Michel de Ghelderode
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Le miroir de la raison : déconstruction des mythes, assomption de l’humain, nouvel imaginaire du corps et du social dans le théâtre de Michel de Ghelderode
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Cette relecture de Michel de Ghelderode s’attache à montrer qu’au-delà des motifs de la crise identitaire et du masque, comme à travers les figures de l’angoisse et du tragique, so...
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Notes on the Plays of Michel de Ghelderode
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Perhaps the most immediately striking quality of the plays of Michel de Ghelderode is their size—not their physical length, but their dramatic dimension. Like Strindberg, this auth...
Bibliography on Michel de Ghelderode
Bibliography on Michel de Ghelderode
Bibliography on Michel de Ghelderode...
Michel de Ghelderode, the Wooster Group, and postmodernist revisions of La tentation de saint Antoine
Michel de Ghelderode, the Wooster Group, and postmodernist revisions of La tentation de saint Antoine
La tentation de saint Antoine initially recalls Hieronymus Bosch’s famous Renaissance painting or Flaubert’s onieric work‐in‐progress. A closer look at more recent adaptations of t...
Theatrical Mise-En-Scene In Film Form
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Abstract
The study reflects on divergence between theatre and film. It also points out that the difference ought to be sought in ontology, in the principle of the coding of actual ...