Circumscription

The concept of circumscription is central to the iconoclast argument against the icons: if the icon is a true image of Christ, it must represent his divine as well as his human nature. If it cannot do that, the image is an idol. The divine nature is uncircumscribed, therefore an image cannot be made of it. This is the challenge Theodore tries to counter. He develops a detailed Christological position in order to show that Christ somehow must appear in this world in a concrete (circumscribed) and visible form. The chapter presents an interpretation of both iconoclast Christology and Theodore’s Christology. Theodore manages to define his Christological position in such a way that he can show how Christ may be a subject of painting. The concepts of the eidos (appearance) and likeness allow Theodore to work out a doctrine of painting that is almost phenomenological, to use a modern term.