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Yumi Piksa – Developing a community-responsive way of filmmaking in Melanesia

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This article explores the collaborative application of media and arts-based research practices involving students from the University of Goroka (Papua New Guinea) as co-researchers. It critically examines the processes of developing a community-responsive approach to filmmaking in order to challenge preconceived notions of media and research practice in Papua New Guinea. The analysis draws on results from a film workshop run at the University of Goroka over a duration of six weeks through which a team designed a Melanesian approach to filmmaking practice. The research study found that stereotypical perceptions and understandings of Papua New Guinea communities could be challenged by respectful and community-responsive ways of making films involving local community members. It presents filmmaking as creating a meaningful space for exploring community relations and practices. Papua New Guinean co-researchers acted to bridge dialogue between rural communities, media technologies and the national and transnational media sphere.
Auckland University of Technology (AUT) Library
Title: Yumi Piksa – Developing a community-responsive way of filmmaking in Melanesia
Description:
This article explores the collaborative application of media and arts-based research practices involving students from the University of Goroka (Papua New Guinea) as co-researchers.
It critically examines the processes of developing a community-responsive approach to filmmaking in order to challenge preconceived notions of media and research practice in Papua New Guinea.
The analysis draws on results from a film workshop run at the University of Goroka over a duration of six weeks through which a team designed a Melanesian approach to filmmaking practice.
The research study found that stereotypical perceptions and understandings of Papua New Guinea communities could be challenged by respectful and community-responsive ways of making films involving local community members.
It presents filmmaking as creating a meaningful space for exploring community relations and practices.
Papua New Guinean co-researchers acted to bridge dialogue between rural communities, media technologies and the national and transnational media sphere.

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