Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Portrait of Mulla Do Piyazeh

View through Harvard Museums
Against a mint green background, a portly figure, recognizable as the folklore character Mulla Do Piyazeh, is depicted with a white robe with long sleeves and his distinctive, large white, turban. He is mounted on a brown, emaciated horse with a protruding tongue. The horse’s eye rolls upward, suggesting exhaustion. Mulla Do Piyazeh holds the reins in his right hand, while his left hand, masked by the large sleeve, holds a whip. A white and gray dog lies at the front feet of the horse. He was a character from a series of folk tales featuring the Mughal emperor Akbar (r. 1556-1605) and his courtier Birbal. These legends originated at the end of Akbar’s reign and were popular through the 19th century. Most scholars believe that he is completely fictional.
Department of Islamic & Later Indian Art Harvard Art Museums/Arthur M. Sackler Museum Grace Nichols Strong Francis H. Burr and Friends of the Fogg Art Museum Funds
image-zoom
Title: Portrait of Mulla Do Piyazeh
Description:
Against a mint green background, a portly figure, recognizable as the folklore character Mulla Do Piyazeh, is depicted with a white robe with long sleeves and his distinctive, large white, turban.
He is mounted on a brown, emaciated horse with a protruding tongue.
The horse’s eye rolls upward, suggesting exhaustion.
Mulla Do Piyazeh holds the reins in his right hand, while his left hand, masked by the large sleeve, holds a whip.
A white and gray dog lies at the front feet of the horse.
He was a character from a series of folk tales featuring the Mughal emperor Akbar (r.
1556-1605) and his courtier Birbal.
These legends originated at the end of Akbar’s reign and were popular through the 19th century.
Most scholars believe that he is completely fictional.

Related Results

Sketchbook
Sketchbook
Sketchbook with blue- and black-fabric-covered cardboard covers. Sewn page block; pages of off-white wove paper, each 27.6 x 21.6 cm. Each sheet numbered on verso at l.l. Drawin...
Ten Thousand Years, Ten Thousand Years of Sleep, One Hundred Million Scattered Pieces
Ten Thousand Years, Ten Thousand Years of Sleep, One Hundred Million Scattered Pieces
This triptych comprises a set of three hanging scrolls, each painted in ink on paper. The central scroll is a formal portrait of Mao Zedong (1893–1976); the flanking scrolls repres...
Ten Thousand Years, Ten Thousand Years of Sleep, One Hundred Million Scattered Pieces
Ten Thousand Years, Ten Thousand Years of Sleep, One Hundred Million Scattered Pieces
This triptych comprises a set of three hanging scrolls, each painted in ink on paper. The central scroll is a formal portrait of Mao Zedong (1893–1976); the flanking scrolls repres...
Ten Thousand Years, Ten Thousand Years of Sleep, One Hundred Million Scattered Pieces
Ten Thousand Years, Ten Thousand Years of Sleep, One Hundred Million Scattered Pieces
This triptych comprises a set of three hanging scrolls, each painted in ink on paper. The central scroll is a formal portrait of Mao Zedong (1893–1976); the flanking scrolls repres...
Ten Thousand Years, Ten Thousand Years of Sleep, One Hundred Million Scattered Pieces
Ten Thousand Years, Ten Thousand Years of Sleep, One Hundred Million Scattered Pieces
This triptych comprises a set of three hanging scrolls, each painted in ink on paper. The central scroll is a formal portrait of Mao Zedong (1893–1976); the flanking scrolls repres...
Painting
Painting
Two centuries, two portraits of women. Two fascinating portraits of women [in the Johnson collection] are painted with two seclers apart, by two of their most popular artists, the...

Back to Top